The Little Drummer Girl

"Don't you ever put these things on him again," one of them said quietly to the guards, in English, and with an angry heave symbolically tossed both hood and chains into a corner.

The guards withdrew--Oded in particular with theatrical reluctance--and Yanuka consented to drink a little coffee while his two new friends looked on. They knew he had a raging thirst because they had asked the doctor to induce one before he left, so the coffee must have been tasting wonderful to him, whatever else was mixed into it. They knew also that his mind was in a state of dreamlike fragmentation and therefore undefended in certain important areas--for instance, when compassion was on offer. After several more visits conducted in this way, some with only minutes between them, the interrogators decided it was time to take the plunge and introduce themselves. In outline, their plan was the oldest in the game, but it contained ingenious variations.

They were Red Cross observers, they said in English. They were Swiss subjects, but residents here in the prison. What prison, where, they were not at liberty to reveal, though they gave clear hints it might be Israel. They produced impressive prison passes in well-thumbed plastic cases, with stamped photographs of themselves and red crosses done in wavy lines like banknotes to prevent easy forgery. They explained that their job was to make sure that the Israelis observed the rules for prisoners of war laid down by the Geneva Convention--though, God knew, they said, that wasn't easy--and to provide Yanuka's link with the outside world, in so far as prison regulations allowed this. They were pressing to get him out of solitary and into the Arab block, they said, but they understood that "rigorous interrogation" was to start any day, and that until then the Israelis intended willy-nilly to keep him in isolation. Sometimes, they explained, the Israelis simply lost themselves in their own obsessions, and forgot about their image completely. They pronounced "interrogation" with distaste, as if they wished they knew a better word. At this point Oded came back in, as instructed, and pretended to busy himself with the sanitation. The interrogators at once stopped speaking until he left.

Next they produced a big printed form and helped Yanuka to complete it in his own hand: name here, old fellow, address, date of birth, next of kin, that's the way, occupation--well, that would be student, wouldn't it?--qualifications, religion, and sorry about all this but it's regulations. Yanuka complied accurately enough, despite an initial reluctance, and this first sign of collaboration was noted by the Literacy Committee downstairs with quiet satisfaction--even if his handwriting was puerile on account of the drugs.

Taking their leave, the interrogators handed Yanuka a printed booklet setting out his rights in English and, with a wink and a pat on the shoulder, a couple of bars of Swiss chocolate. And they called him by his first name, Salim. For an hour, from the adjoining room, they watched him by infra-red light as he lay in the pitch dark, weeping and tossing his head. Then they raised the lighting and barged in cheerfully, calling out, "Look what we've got for you; come on, wake up, Salim, it's morning." It was a letter, addressed to him by name. Postmark Beirut, sent care of the Red Cross, and stamped "Prison Censor Approved." From his beloved sister Fatmeh, who had given him the gilded charm to wear round his neck. Schwili had forged it, Miss Bach had compiled it, Leon's chameleon talent had supplied the authentic pulse of Fatmeh's censorious affection. Their models were the letters Yanuka had received from her while he was under surveillance. Fatmeh sent her love and hoped Salim would show courage when his time came. By "time" she seemed to mean the dreaded interrogation. She had decided to give up her boyfriend and her office job, she said, and resume her relief work in Sidon because she could no longer bear to be so far from the border of her beloved Palestine while Yanuka was in such desperate straits. She admired him; she always would; Leon swore it. To the grave and beyond, Fatmeh would love her gallant, heroic brother; Leon had seen to it. Yanuka accepted the letter with pretended indifference, but when they left him alone again, he fell into a pious crouch, with his head turned nobly sideways and upward like a martyr waiting for the sword, while he clutched Fatmeh's words to his cheek.

"I demand paper," he told the guards, with panache, when they returned to sweep out his cell an hour later.

He might as well not have spoken. Oded even yawned.

"I demand paper! I demand the representatives of the Red Cross! I demand to write a letter under the Geneva Convention to my sister Fatmeh! Yes!"

These words also were favourably greeted downstairs, since they proved that the Literacy Committee's first offering had gained Yanuka's acceptance. A special bulletin was immediately transmitted to Athens. The guards slunk off, ostensibly to take advice, and reappeared bearing a small stack of Red Cross stationery. They also handed Yanuka a printed "Advice to Prisoners," explaining that only letters in English would be forwarded, "and only those containing no hidden message." But no pen. Yanuka demanded a pen, begged for one, screamed at them, wept all in slow motion, but the boys retorted loudly and distinctly that the Geneva Convention said nothing about pens. Half an hour later, the two interrogators bustled in full of righteous anger, bringing a pen of their own, stamped "For Humanity."

Scene by scene, this charade continued over several more hours while Yanuka in his weakened state struggled vainly to reject the offered hand of friendship. His written reply to Fatmeh was a classic: a rambling three-page letter of advice, self-pity, and bold postures, providing Schwili with his first "clean" sample of Yanuka's handwriting under emotional stress, and Leon with an excellent foretaste of his English prose-style.

"My darling sister, in one week now I face the fateful testing of my life at which your great spirit will accompany me," he wrote. That news too was the subject of a special bulletin: "Send me everything," Kurtz had told Miss Bach. "No silences. If northing's happening, then signal to me that nothing is happening." And to Leon, more fiercely, "See she signals me every two hours at least. Best is every hour."

Yanuka's letter to Fatmeh was the first of several. Sometimes, their letters crossed; sometimes Fatmeh answered his questions almost as soon as he had put them, and asked him her own questions in return.

Start at the end, Kurtz had told them. The end, in this case, was miles of seemingly irrelevant small talk. For hour upon hour the two interrogators chatted to Yanuka with unflagging geniality, fortifying him, as he must have thought, with their stolid Swiss sincerity, building up his resistance against the day when the Israeli henchmen dragged him off to his inquisition. First, they sought his opinions on almost everything he cared to discuss, flattering him with their respectful curiosity and responsiveness. Politics, they shyly confessed, had never really been their field: their inclination had always been to place man above ideas. One of them quoted from the poetry of Robert Burns, who turned out quite by chance to be a favourite with Yanuka also. Sometimes it almost seemed they were asking him to convert them to his own way of thinking, so receptive were they to his arguments. They asked him for his reactions to the Western world now that he had been there for a year or more, first generally, then country by country, and listened entranced to his unoriginal generalisations: the self-interest of the French; the greed of the Germans; the decadence of the Italians.

John le Carre's books