The Little Drummer Girl

True, it was Kurtz who by his deliberate enticement of her had struck the match that kindled her explosion. But it was Joseph's cunning, Joseph's courtship, and Joseph's cryptic silence that had brought about her real humiliation. She swung round, she took two strides to him, waiting for someone to stop her, but someone didn't. She swung her foot up and kicked away the table and watched the desk lamp curve gracefully to God knew where before it reached the limit of its flex and went out with a surprised pop. She drew back her fist, waiting for him to defend himself. He didn't, so she lunged at him where he sat, catching him across the cheekbone with all her strength.

She was screaming all her filthy epithets at him, the ones she used on Long Al and the whole blank, painful nothingness of her tangled, too-small life, but she wished he would put up an arm or hit her back. She hit him a second time with her other hand, wanting to mark and hurt the whole of him. Again she waited for him to defend himself, but his familiar brown eyes continued to watch her as steadily as shore lights in a storm. She hit him again with her half-closed fist and felt her knuckles wrench, but she saw the blood running down his chin. She was screaming "Fascist bastard!" and she went on repeating it, feeling her strength wasting with her breath. She saw Raoul,the flaxen hippy boy, standing in the doorway, and one of the girls--South African Rose--position herself before the French windows and spread her arms in case Charlie made a leap for the verandah, and she wished terribly that she could go mad so that everyone would be sorry for her; she wished she was just a raving lunatic waiting to be let off, not a stupid little fool of a radical actress who made up feeble versions of herself as she went along, who had denied her father and mother and embraced a half-cock faith she hadn't the courage to renounce, and anyway, what was there till now to replace it? She heard Kurtz's voice in English ordering everyone to stay still. She saw Joseph turn away; she saw him draw a handkerchief from his pocket and dab his lip, as indifferent to her as he might have been to a rude child of five. She screamed "Bastard!" at him again, she hit him on the side of the head, a big open-fisted clattering blow that bent her wrist and momentarily numbed her hand, but by now she was exhausted and alone and all she wanted was for Joseph to hit her back.

"Help yourself, Charlie," Kurtz advised quietly, from his chair. "You've read Frantz Fanon. Violence is a cleansing force, remember? It frees us from our inferiority complexes, it makes us fearless and restores our self-respect."

There was only one way out for her, so she took it. Hunching her shoulders, she dropped her face dramatically into her hands and wept inconsolably until, on a nod from Kurtz, Rachel came forward from the window and put her arm round her shoulder, which Charlie resisted and then let be.

"She gets three minutes, not more," Kurtz called as the two of them headed for the doorway. "She does not change her dress or put on some new identity, she comes straight back in here. I want the engine kept running. Charlie, stop where you are a minute. Wait. I said stop"

Charlie stopped, but did not turn round. She stood motionless, acting with her back and wondering wretchedly whether Joseph was doing something about that cut face.

"You did well, Charlie," Kurtz said, without condescension, down the room to her. "Congratulations. You took a dive but you recovered. You lied, you lost your way, but you hung in there and when the line broke you threw a tantrum and blamed your troubles on the whole world. We were proud of you. Next time we'll think you up a better story to tell. Hurry back, okay? Time is very, very short right now."

In the bathroom, Charlie stood with her head against the wall, sobbing, while Rachel ran a basin of water for her and Rose stood outside in case.

"I don't know how you can put up with England for one minute," said Rachel while she set the soap and towel ready. "I had fifteen years of it before we left. I thought I'd die. Do you know Macclesfield? It's death. It is if you're a Jew, anyway. All that class and coldness and hypocrisy. I think it's the unhappiest place on earth, Macclesfield is, for a Jew, I do really. I used to scrub my skin with lemon juice in the bathroom because they told me I was greasy. Don't go near that door without me, will you, love, or I'll have to stop you."

It was dawn and therefore bedtime and she was back with them, where she wanted more than anything to be. They had told her a little, they had brushed across the story as a headlight brushes across a dark doorway, giving a passing glimpse of whatever lies hidden in it. Imagine, they said--and told her of a perfect lover whom she'd never met.

She hardly cared. They wanted her. They knew her through and through; they knew her fragility and her plurality. And they still wanted her. They had stolen her in order to rescue her. After all her drifting, their straight line. After all her guilt and concealment, their acceptance. After all her words, their action, their abstemiousness, their clear-eyed zeal, their authenticity, their true allegiance, to fill the emptiness that had yawned and screamed inside her like a bored demon ever since she could remember. She was a featherweight, caught in a swirling storm, but suddenly, to her amazed relief, theirs was the commanding wind.

She lay back and let them carry her, assume her, have her. Thank God, she thought: a homeland at last. You will play yourself, but more so, they said--and when had she ever not? Yourself, with all your bluffs called, they said--put it that way. Put it any way you like, she thought.

Yes, I'm listening. Yes, I follow.

They had given Joseph the seat of authority at the centre of the table. Litvak and Kurtz sat still as moons to either side of him. Joseph's face was raw where she had hit him, a chain of small bruises ran along the bone-line of his left cheek. Through the slatted shutters, ladders of early light shone on to the floorboards and across the trestle table. They stopped talking.

"Have I decided yet?" she asked him.

Joseph shook his head. A dark stubble emphasised the hollows of his face. The downlight showed a web of fine lines round his eyes.

"Tell me about the usefulness again," she suggested. · She felt their interest tighten like a cord. Litvak, his white hands folded before him, dead-eyed yet strangely angry in his contemplation of her; Kurtz, ageless and prophetic, his cracked face sprinkled with a silver dust. And round the walls still, the kids, devout and motionless, as if they were queuing for their first communion. ‘

"They say you will save lives, Charlie," Joseph explained, in a detached tone from which all hint of theatre had been rigorously expunged. Did she hear reluctance in his voice? If so, it only emphasised the gravity of his words. "That you will give mothers back their children and help to bring peace to peaceful people. They say that innocent men and women will live. Because of you."

"What do you say?"

His answer sounded deliberately dull. "Why else would I be here? For one of us,we would call the work a sacrifice, an atonement for life. For you--well, maybe it's not so different after all."

"Where will you be?"

"We shall stay as close to you as we can."

"I said you. You singular. Joseph."

"I shall be close, naturally. That will be my job."

And only my job,he was saying; not even Charlie could have mistaken the message.

"Joseph will be right with you all along the line, Charlie," Kurtz put in softly. "Joseph is a fine, fine professional. Joseph, tell her about the time factor, please."

"We have very little," Joseph said. "Every hour counts."

John le Carre's books