The Girl In The Ice (Detective Erika Foster, #1)

‘This is a major breakthrough, but why are you here, Moss?’ asked Erika, getting up to make more tea.

‘I’ve been there when we questioned Marco, and he is – was –

obsessed by Andrea. But, he just doesn’t seem like he’s got it in him. He also has very large hands. Isaac showed us the handprints on Andrea. And I don’t know, it’s not much more than a hunch.’

‘You don’t think he did it.’

‘I have doubts, but they are a hunch. I think that this phone could open up the investigation,’ said Moss.

‘Well, you’ve got to get a team down in that drain, to at least have a look,’ said Erika.

‘Yeah, but under whose authority, boss? I haven’t got any. Your hands are tied. It would cost a huge amount, plus the manpower involved, who would sign off on either of those right now? The team is now focusing resources towards the prosecution of Marco Frost.’

Erika thought. ‘Does anyone else share your doubts about Marco Frost?’

Moss nodded.

‘Peterson? Crane?’

‘And others. We’ve made copies of the files on Tatiana Ivanova, Mirka Bratova and Karolina Todorova.’

She handed them to Erika, who flicked through, looking at the photos of the girls – all lying on their backs, naked from the waist down, their wet hair plastered to their pale faces. Fear in their eyes.

‘Do you think he deliberately leaves their eyes open?’ asked Erika.

‘Possibly.’

‘If it is the same killer, how the hell does Andrea fit in with this?’

‘Whoever it was ventured out of their comfort zone? She’s a different kind of girl,’ said Moss

‘Only because she was rich. The girls are all similar. Dark, beautiful, good figures.’

‘Do you think Andrea was working as a prostitute? Did you see the stuff in the papers?’

‘She didn’t need the money. I think first and foremost she saw sex as a thrill,’ said Erika.

‘The thrill of the chase,’ finished Moss.

‘What if Andrea had fallen for the man who is doing this? She’s attracted to dark, handsome men.’

‘But what about Ivy Norris? Her death bore hallmarks of the previous killings, but she doesn’t fit the pattern. She wasn’t young. Or attractive like the rest of these girls.’

‘Maybe it wasn’t about that? She shares the common thread that she was a prostitute. What if she saw Andrea with the killer, in the pub? And she was killed to shut her up.’

Moss had no reply to this.

Erika became aware that they were sitting in the dark. The sun had set. Erika went to the kitchen drawer and took out the note she’d received. She came back and placed it in front of Moss on the coffee table.

‘Shit. Where did you get this?’ Moss asked.

‘I found it in my pocket.’

‘When?’

‘Just after I was suspended.’

‘Why didn’t you hand it in?’

‘That’s what I’m doing now.’

Moss looked up at Erika.

‘I know. Jeez, this means we’ve got a serial killer out there,’ said Erika.

‘A serial killer who got close enough to put this in your pocket. Do you want me to arrange for a car outside?’

‘No. They think I’m crazy enough. I’ve been asked to attend a psych evaluation. The last thing I need is to stoke things up. Saying I’ve got a stalker . . .’ Erika saw Moss’s face. ‘Over the years, I’ve had plenty of disgusting hate mail.’

‘But was it all hand delivered?’

‘I’m fine, Moss. Let’s focus on what we can do next.’

‘Well, okay . . . I’ve got Crane cross-checking the dates against Marco Frost’s movements, but we don’t know the exact time of death for these girls.’

‘We need to get that phone. Andrea could have been communicating with this guy. There could be his number, voicemails, and his email. Even pictures on the phone itself. That phone is the key,’ said Erika.

‘We need the resources to retrieve it,’ said Moss.

‘I’ll have a crack at Marsh,’ said Erika.

‘You sure? Isn’t that a bit risky?’ asked Moss.

‘I’ve known him a long time.’

‘He was an ex?’

‘God, no. I trained with him, and I introduced him to his wife. That’s got to count for something,’ said Erika. ‘And if it doesn’t, well, what have I got to lose?’





37





Chief Superintendent Marsh was forcing himself to eat his second crème br?lée. He was already full, but they were just so good. He gripped the ramekin and plunged his spoon through the crisp caramel with a satisfying crunch. Marcie had bugged him for one of those cook’s blowtorches for Christmas, promising she’d make him crème br?lée every week. She’d almost kept her promise.

He looked at her, bathed in the candlelight of their dining room. She sat next to him at the long dining table, and was deep in conversation with a round-faced man with dark hair whose name escaped Marsh. He’d been listening out all evening to see if Marcie mentioned this man by name, but so far she hadn’t. Forgetting the name of the head of her art class would guarantee nothing would happen in the bedroom later – and Marsh wanted her badly. Her long dark hair hung loose over her shoulders, and she wore a long floaty white dress which clung to the curve of her breasts. He looked around the table at their other three guests, thinking how unattractive they were in comparison: a middle-aged woman with scarlet lipstick, who was managing to look both grubby and elegant, an old man with a straggly beard and long fingernails, who Marsh was convinced had only come along for the free food, and a thin camp guy with mousy hair tied back in a ponytail. They were deep in conversation about Salvador Dali.

Marsh was wondering if it would be rude to offer them coffee whilst desert was still being eaten, when the front door knocker clattered. Marcie tilted her head to Marsh and frowned.

‘Don’t let me disturb you, I’ll go,’ he said.



Erika reached up impatiently and knocked again. She could see people were home; the curtains were drawn at the large bay window, and laugher seeped out with the soft glow of light. Moments later, the hall light came on and Marsh opened the door.

‘DCI Foster. What can I do for you?’

She noted he looked quite handsome in crisp beige chinos and a blue shirt rolled up at the sleeves.

‘Sir, you’re not picking up my calls and I need to talk to you,’ she said.

‘Can it wait? We’ve got company,’ said Marsh. He noticed Erika was clutching a pile of what looked like case files.

‘Sir, I believe the murders of Andrea Douglas-Brown and Ivy Norris are linked to three other murders. Young girls found in the same circumstances as Andrea. The murders have happened periodically since 2013. All found dumped in water in the Greater London area . . .’

Marsh shook his head, exasperated. ‘I don’t believe this, DCI Foster . . .’

‘Sir. They were all young Eastern European girls,’ said Erika. She flicked open a file and held up the crime scene photo of Karolina Todorova. ‘Look. This girl was just eighteen; strangled, her hands were bound behind her back with a strip of plastic and her hair was pulled out at the temples. She was dumped in the water like rubbish.’

‘I want you to leave,’ said Marsh.

She ignored him and pulled out two more photos, ‘Tatiana Ivanova, nineteen and Mirka Bratova, eighteen. Again, strangled, hands bound in exactly the same way, hair pulled out and dumped in water. All in a ten mile radius around central London. Even the type of girl is the same. Dark, long hair, hourglass figure . . . Sir, DCI Sparks has had this file for two days. The similarities are so obvious, even to a copper straight out of—’

A door down the corridor opened, releasing a burst of laughter. Marcie approached the front door. ‘Tom, who is it?’ she said. Then she saw the picture Erika held up, of Karolina half-naked and rotting in the water.

‘What’s going on?’ she said, looking between Erika and Marsh.

‘Marcie. Please go back inside, I’m dealing with this . . .’