Rogan looked along the back of the house. He nodded to Alberti, who produced a jimmy from one of the pockets of his jacket. He inserted the point of the tool between the door and the frame, changed his grip on it, and levered, pushing toward the door. It gave slightly, but then stuck: something seemed to be jamming it.
Rogan took out his flashlight and shone it through the window, the beam dancing over the interior of the kitchen as he tried to see the cause of the problem. He directed the flashlight downward, and muttered a curse. A chair had been wedged below the door handle. Rogan shook his head at Alberti, who removed the jimmy and stepped back.
The two men walked cautiously along the back wall of the house to the nearest window. Like all of the windows on the ground floor of the property, it was protected by full-height wooden shutters, but Rogan didn’t think that would be a problem: it was just going to be a noisier solution. He used his flashlight to check the lock, and nodded in satisfaction. The shutters were held closed by a central catch that not only locked the two halves together, but also secured them to the wall using bolts at the top and bottom. It was a simple design with a single flaw. If the catch was undone, both bolts would immediately be released and the shutters would swing open.
Rogan took the jimmy from Alberti and slid its point between the two shutters. Then he moved it up until it touched the underside of the catch, and rapped the other end sharply. With a scraping sound, the catch lifted and both shutters swung outward. Rogan opened them fully and clipped them back using the hooks fitted to the wall.
In his bedroom almost directly above, Bronson was still wide awake, lying silently in the dark and puzzling over the meaning of the three Latin words.
He heard noises—a metallic click followed by a creaking sound and other clicks—and climbed out of bed to investigate. He walked across to the window and looked down cautiously.
At the back of the house he saw two dark figures, bulky in the shadows cast by the moon, the beam of a small flashlight playing over one of the downstairs windows. The shutters that he’d locked an hour or so earlier were now wide open.
Bronson slowly moved away from the window and walked back across the room to where he’d left his clothes. He pulled on a black polo-neck sweater and dark-colored trousers, and slid his feet into his trainers. Then he eased open the bedroom door and made his way across the landing and down the stairs.
There were no guns in the house, as far as he knew, but there were several stout walking sticks in an umbrella stand beside the front door. He picked out the biggest one and hefted it in his hand. That, he thought, would do nicely. Then he walked over to the living-room door, which was fortunately ajar, and pushed it open just far enough to allow him to slide into the room.
The open shutters were obvious—every other window was black—and Bronson moved across the room to his left, keeping low. Their unwelcome visitors were not visible through the window but that simply meant that they hadn’t yet broken one of the panes of glass to get in.
The window was wood-framed with twelve small single-glazed panes of glass, and Rogan had come prepared. He hadn’t anticipated that they wouldn’t be able to use the back door again, but whenever he was tasked with a burglary he always had a backup plan. And for an old house like this, with very basic security, breaking a window and getting inside that way was the most obvious option.
He took a roll of adhesive tape from his pocket and tore off several strips, handing each to Alberti, who stuck them on the glass in a star pattern, leaving a protruding “handle” in the middle, formed from the central sections of the tape. Then Alberti held the tape in his left hand, reversed the jimmy and rapped the rounded end sharply against the taped window. The glass broke instantly, but stuck to the tape, and he easily pulled out the broken pane. He handed the glass to Rogan, who placed it carefully on the ground, then reached inside and lifted the catch to open the window.
Although he’d been as quiet as he could, there was obviously a possibility that the noise had been heard inside the house. So, before he climbed in, Alberti took the pistol from his shoulder holster, checked the magazine and chambered a round by pulling back the slide. He set the safety catch, then grasped the left side of the window frame, rested his right foot on a protruding stone in the wall and pulled himself up and into the open window to lower himself into the room.
At that moment, Bronson acted. He’d seen and heard the glass break, and guessed what the intruders’ next move would be, and he also knew that if the two men managed to get inside the house, he wouldn’t stand a chance.
So as Alberti leaned forward, his right arm extended, ready to jump down inside the room, Bronson stepped away from the wall and smashed the walking stick down with all his force, instantly breaking the Italian’s right arm a few inches below the shoulder. The intruder screamed with pain and shock, dropped the automatic and in a reflex action threw himself backward, landing heavily on the ground outside.
For the barest of instants Rogan had no clue what had happened. He’d stepped back to give Alberti room to hoist himself up through the window, and just a split second later his companion had tumbled backward, yelling in agony. Then, in the moonlight, he saw Alberti’s arm and realized it had been broken. That could mean only one thing. He stepped forward to the window and lifted his own pistol.
An indistinct shape moved inside the darkness of the house. Rogan immediately swung the weapon toward his target, took rapid aim and pulled the trigger. The bullet shattered one of the unbroken panes of glass and slammed into a wall somewhere inside the room.
The report of the pistol was deafening at such close range, the sound of breaking glass following moments later. Bronson’s military training took over and he dropped flat on the floor. But if the intruder hoisted himself up and looked down into the room, Bronson knew he’d be clearly visible. He had to get out of sight, and quickly.
The base of the ground-floor window was higher than usual and the second man would have to be standing almost on tiptoe—not the ideal shooting stance by a long way. If he moved quickly, he might be able to make it to safety.
Bronson jumped to his feet and ran across the room, ducking and weaving. Two more gunshots rang out, their reports a thunderous assault on the silence of the night. He heard the bullets smashing into the solid stone walls of the room, but neither hit him.
Before the builders had arrived, the living room had contained a large wood-framed three-piece suite, a couple of coffee tables and about half a dozen smaller chairs, all of which were now stacked in a heap more or less in the middle of the floor.
Bronson had no illusions that a collection of furniture, no matter how solid, would be sufficient to stop a bullet, but if the intruder couldn’t see him, he’d have nothing to aim at. So he dived behind the sheet-covered mound and flattened himself against the wooden floorboards.
Then he waited.
Alberti had staggered to his feet, clutching his broken arm and howling with pain. Rogan knew there was now no chance of getting inside the house that night. Even if Hampton, or whoever it was inside the property, hadn’t called the Carabinieri, somebody in the neighborhood would probably have heard the shots and made a call. And he was going to have to get Alberti to a hospital, if only to shut him up.
“Come on,” he snapped, holstering his pistol and bending down to help his companion to his feet. “Let’s get back to the car.”
Within a couple of minutes the two men had vanished into the night.