Shadow of Night (All Souls Trilogy #2)

“With knot of one, the spell’s begun,” I murmured, looping the purple cord into the simple slipknot. The firedrake crooned an imitation of my words.


I looked up at her and was struck once again by the firedrake’s changeable appearance. When she breathed out, she faded into a blurred smudge of smoke. When she breathed in, her outlines sharpened. She was a perfect balance of substance and spirit, neither one nor the other. Would I ever feel that coherent?

“With knot of two, the spell be true.” I made a double knot along the same purple cord. Wondering if there was a way I could fade into gray obscurity whenever I wished, the way the firedrake did, I ran the yellow cord through my fingers. The third knot was the first true weaver’s knot I had to make. Though it involved only three crossings, it was still a challenge.

“With knot of three, the spell is free.” I looped and twisted the cord into a trefoil shape, then drew the ends together. They fused to form the weaver’s unbreakable knot.

Sighing with relief, I dropped it into my lap, and from my mouth came a gray mist finer than smoke. It hung around me like a shroud. I gasped in surprise, letting out more of the eerie, transparent fog. I looked up. Where had the firedrake gone? The brown cord leaped into my fingers. “With knot of four, the power is stored.” I loved the pretzel-like shape of the fourth knot, with its sinuous bends and twists.

“Very good, Diana,” Goody Alsop said. This was the moment in my spells when everything tended to go wrong. “Now, remain in the moment and bid the dragon to stay with you. If she is so inclined, she will hide you from curious eyes.”

The firedrake’s cooperation seemed too much to hope for, but I made the pentacle-shaped knot anyway, using the white cord. “With knot of five, the spell will thrive.”

The firedrake swooped down and nestled her wings against my ribs. “Will you stay with me?” I silently asked her.

The firedrake wrapped me in a fine gray cocoon. It dulled the black of my skirts and jacket, turning them a deep charcoal. Ysabeau’s ring glittered less brightly, the fire at the heart of the diamond dimmed. Even the silver cord in my lap looked tarnished. I smiled at the firedrake’s silent answer. “With knot of six, this spell I fix,” I said. My final knot was not as symmetrical as it should have been, but it held nonetheless.

“You are indeed a weaver, child,” Goody Alsop said, letting out her breath.

I felt marvelously inconspicuous on my walk home, wrapped in my firedrake muffler, but came to life again when my feet crossed over the threshold of the Hart and Crown. A package waited for me there, along with Kit. Matthew was still spending too much time with the mercurial daemon. Marlowe and I exchanged cool greetings, and I had started unpicking the package’s protective wrappings when Matthew let out a mighty roar.

“Good Christ!” Where moments before there was empty space, there was now Matthew, staring at a piece of paper in disbelief.

“What does the Old Fox want now?” Kit asked sourly, jamming his pen into a pot of ink.

“I just received a bill from Nicholas Vallin, the goldsmith up the lane,” Matthew said, scowling. I looked at him innocently. “He charged me fifteen pounds for a mousetrap.” Now that I better understood the purchasing power of a pound—and that Mary’s servant Joan earned only five pounds a year—I could see why Matthew was shocked.

“Oh. That.” I returned my attention to the package. “I asked him to make it.”

“You had one of the finest goldsmiths in London make you a mousetrap?” Kit was incredulous. “If you have any more funds to spare, Mistress Roydon, I hope you will allow me to undertake an alchemical experiment for you. I will transmute your silver and gold into wine at the Cardinal’s Hat!”

“It’s a rat trap, not a mousetrap,” I muttered.

“Might I see this rat trap?” Matthew’s tone was ominously even.

I removed the last of the wrappings and held out the article in question.

“Silver gilt. And engraved, too,” Matthew said, turning it over in his hand. After looking more closely at it, he swore. “‘Ars longa, vita brevis.’ Art is long, but life is short. Indeed.”

“It’s supposed to be very effective.” Monsieur Vallin’s cunning design resembled a watchful feline, with a pair of finely worked ears on the hinge, a wide set of eyes carved into the cross brace. The edges of the trap resembled a mouth, complete with lethal teeth. It reminded me a bit of Sarah’s cat, Tabitha. Vallin had provided an added bit of whimsy by perching a silver mouse on the cat’s nose. The tiny creature bore no resemblance to the long-toothed monsters that prowled around our attics. The mere thought of them munching their way through Matthew’s papers while we slept made me shudder.

“Look. He’s engraved the bottom of it, too,” Kit said, following the romping mice around the base of the trap. “It bears the rest of Hippocrates’ aphorism—and in Latin, no less. ‘Occasio pr?ceps, experimentum periculosum, iudicium difficile.’”

“It may be an excessively sentimental inscription, given the instrument’s purpose,” I admitted.

“Sentimental?” Matthew’s eyebrow shot up. “From the viewpoint of the rat, it sounds quite realistic: Opportunity is fleeting, experiment dangerous, and judgment difficult.” His mouth twitched.

“Vallin took advantage of you, Mistress Roydon,” Kit pronounced. “You should refuse payment, Matt, and send the trap back.”

“No!” I protested. “It’s not his fault. We were talking about clocks, and Monsieur Vallin showed me some beautiful examples. I shared my pamphlet from John Chandler’s shop in Cripplegate—the one with the instructions on how to catch vermin—and told Monsieur Vallin about our rat problem. One thing led to another.” I looked down at the trap. It really was an extraordinary piece of craftsmanship, with its tiny gears and springs.

“All of London has a rat problem,” Matthew said, struggling for control. “Yet I know of no one who requires a silver-gilt toy to resolve it. A few affordable cats normally suffice.”

“I’ll pay him, Matthew.” Doing so would probably empty out my purse, and I would be forced to ask Walter for more funds, but it couldn’t be helped. Experience was always valuable. Sometimes it was costly, too. I held out my hand for the trap.

“Did Vallin design it to strike the hours? If so, and it is the world’s only combined timepiece and pest-control device, perhaps the price is fair after all.” Matthew was trying to frown, but his face broke into a grin. Instead of giving me the trap, he took my hand, brought it to his mouth, and kissed it. “I’ll pay the bill, mon coeur, if only to have the right to tease you about it for the next sixty years.”

At that moment George hurried into the front hall. A blast of cold air entered with him.

“I have news!” He flung his cloak aside and struck a proud pose.

Kit groaned and put his head in his hands. “Don’t tell me. That idiot Ponsonby is pleased with your translation of Homer and wants to publish it without further corrections.”

“Not even you will dim my pleasure in today’s achievements, Kit.” George looked around expectantly. “Well? Are none of you the least bit curious?”

“What is your news, George?” Matthew said absently, tossing the trap into the air and catching it again.

“I found Mistress Roydon’s manuscript.”

Matthew’s grip on the rat trap tightened. The mechanism sprang open. When he released his fingers, it fell to the table with a clatter as it snapped shut again. “Where?”

George took an instinctive step backward. I’d been on the receiving end of my husband’s questions and understood how disconcerting a full blast of vampiric attention could be.

“I knew you were the man to find it,” I told George warmly, putting my hand on Matthew’s sleeve to slow him down. George was predictably mollified by this remark and returned to the table, where he pulled out a chair and sat.

“Your confidence means a great deal to me, Mistress Roydon,” George said, taking off his gloves. He sniffed. “Not everyone shares it.”