Shadow of Night (All Souls Trilogy #2)

“òc,” Alain agreed with a nod.

Despite such auspicious beginnings, my first team meeting got off to a rocky start. Pierre refused to sit in my presence, and Alain would take a chair only if I did. But remaining motionless wasn’t an option, given my rising tide of anxiety about my responsibilities at SeptTours, so the three of us completed lap after lap of the library. While we circled, I pointed to books to be brought to Louisa’s room, reeled off necessary supplies, and ordered that my traveling clothes be handed to a tailor to serve as a pattern for a basic wardrobe. I was prepared to wear Louisa de Clermont’s clothes for two more days. After that I threatened to resort to Pierre’s cupboards for breeches and hose. The prospect of such grievous female immodesty clearly struck terror into their hearts.

We spent our second and third hours discussing the inner workings of the chateau. I had no experience running such a complicated household, but I knew which questions to ask. Alain rehearsed the names and job descriptions of its key officers, provided a brief introduction to leading personalities in the village, accounted for who was staying in the house at present, and speculated about who we could expect to visit over the next few weeks.

Then we decamped to the kitchens, where I had my first encounter with Chef. He was a human, as thin as a reed and no taller than Pierre. Like Popeye, he had all of his bulk concentrated in his forearms, which were the size of hams. The reason for this was apparent when he hefted an enormous lump of dough onto a floury surface and began to work it smooth. Like me, Chef was able to think only when he was in motion.

Word had trickled belowstairs about the warmblooded guest sleeping in a room near the head of the family. So, too, had speculation about my relationship to milord and what kind of creature I was, given my scent and eating habits. I caught the words sorcière and masca—French and Occitan terms for witch—when we entered the inferno of activity and heat. Chef had assembled the kitchen staff, which was vast and Byzantine in its organization. This provided an opportunity for them to study me firsthand. Some were vampires, others were humans. One was a daemon. I made a mental note to ensure that the young woman called Catrine, whose glance nudged against my cheeks with open curiosity, was kindly treated and looked after until her strengths and weaknesses were clearer.

I was resolved to speak English only out of necessity, and even then just to Matthew, his father, Alain, and Pierre. As a result my conversation with Chef and his associates was full of misunderstandings. Fortunately, Alain and Pierre gently untangled the knots when my French and their heavily accented Occitan mingled. Once I had been a decent mimic. It was time to resurrect those talents, and I listened carefully to the dips and sways of the local tongue. I’d already put several language dictionaries on the shopping list for the next time someone went to the nearby city of Lyon.

Chef warmed to me after I complimented his baking skills, praised the order of the kitchens, and requested that he tell me immediately if he needed anything at all to work his culinary magic. Our good relationship was assured, however, when I inquired into Matthew’s favorite food and drink. Chef became animated, waving his sticky hands in the air and speaking a mile a minute about milord’s skeletal condition, which he blamed entirely on the English and their poor regard for the arts of the kitchen.

“Have I not sent Charles to see to his needs?” Chef demanded in rapid Occitan, picking up his dough and slamming it down. Pierre murmured the translation as quickly as he could. “I lost my best assistant, and it is nothing to the English! Milord has a delicate stomach, and he must be tempted to eat or he begins to waste away.”

I apologized on behalf of England and asked how he and I might ensure Matthew’s return to health, although the thought of my husband being any more robust was alarming. “He enjoys uncooked fish, does he not, as well as venison?”

“Milord needs blood. And he will not take it unless it is prepared just so.”

Chef led me to the game room, where the carcasses of several beasts were suspended over silver troughs to catch the blood falling from their severed necks.

“Only silver, glass, or pottery should be used to collect blood for milord, or he refuses it,” Chef instructed with a raised finger.

“Why?” I asked.

“Other vessels taint the blood with bad odors and tastes. This is pure. Smell,” Chef instructed, handing me the cup. My stomach heaved at the metallic aroma, and I covered my mouth and nose. Alain motioned the blood away, but I stopped him with a glance.

“Continue, please, Chef.”

Chef gave me an approving look and began to describe the other delicacies that made up Matthew’s diet. He told me of Matthew’s love of beef broth fortified with wine and spices and served cool. Matthew would take partridge blood, provided it was in small quantities and not too early in the day. Madame de Clermont was not so fussy, Chef said with a sorrowful shake of his head, but she had not passed her impressive appetite to her son.

“No,” I said tightly, thinking of my hunting trip with Ysabeau.

Chef put the tip of his finger into the silver cup and held it up, shimmering red in the light, before inserting it into his mouth and letting the lifeblood roll over his tongue. “Stag’s blood is his favorite, of course. It is not as rich as human blood, but it is similar in taste.”

“May I?” I asked hesitantly, extending my little finger toward the cup. Venison turned my stomach. Perhaps the taste of a stag’s blood would be different.

“Milord would not like it, Madame de Clermont,” Alain said, his concern evident.

“But he is not here,” I said. I dipped the tip of my little finger into the cup. The blood was thick, and I brought it to my nose and sniffed it as Chef had. What scent did Matthew detect? What flavors did he perceive?

When my finger passed over my lips, my senses were flooded with information: wind on a craggy peak, the comfort of a bed of leaves in a hollow between two trees, the joy of running free. Accompanying it all was a steady, thundering beat. A pulse, a heart.

My experience of the deer’s life faded all too quickly. I reached out my finger with a fierce desire to know more, but Alain’s hand stopped mine. Still the hunger for information gnawed at me, its intensity diminishing as the last traces of blood left my mouth.

“Perhaps madame should go back to the library now,” Alain suggested, giving Chef a warning look.

On my way out of the kitchens, I told Chef what to do when Matthew and Philippe returned from their ride. We were passing through a long stone corridor when I stopped abruptly at a low, open door. Pierre narrowly avoided plowing into me.

“Whose room is this?” I asked, my throat closing at the scent of the herbs that hung from the rafters.

“It belongs to Madame de Clermont’s woman,” Alain explained.

“Marthe,” I breathed, stepping over the threshold. Earthenware pots stood in neat rows on shelves, and the floor was swept clean. There was something medicinal—mint?—in the tang of the air. It reminded me of the scent that sometimes drifted from the housekeeper’s clothes. When I turned, the three of them were blocking the doorway.

“The men are not allowed in here, madame,” Pierre confessed, looking over his shoulder as though he feared that Marthe might appear at any moment. “Only Marthe and Mademoiselle Louisa spend time in the stillroom. Not even Madame de Clermont disturbs this place.”

Ysabeau didn’t approve of Marthe’s herbal remedies—this I knew. Marthe was not a witch, but her potions were only a few steps away from Sarah’s lore. My eyes swept the room. There was more to be done in a kitchen than cooking, and more to learn from the sixteenth century than the management of household affairs and my own magic.

“I would like to use the stillroom while at SeptTours.”