We managed to get through the actual Mass without incident. I was relieved to find that no one, not even the emperor, was expected to take the sacrament, and the whole ceremony was over quickly. At some point Rudolf quietly slipped away to his private apartments, no doubt to pore over his treasures.
With the emperor and priests gone, the nave turned into a cheerful gathering place as friends exchanged news and gossip. I spotted Ottavio Strada in the distance, deep in conversation with a florid gentleman in expensive woolen robes. Dr. Hájek was here, too, laughing and talking to a young couple who were obviously in love. I smiled at him, and he made a small bow in my direction. Strada I could do without, but I liked the emperor’s physician.
“Gallowglass? Shouldn’t you be hibernating, like the rest of the bears?” A slight man with deep-set eyes approached, his mouth twisted into a wry smile. He was wearing simple, expensive clothes, and the gold ring on his fingers spoke of his prosperity.
“We should all be hibernating in this weather. It is good to see you in such health, Joris.” Gallowglass clasped his hand and struck him on the back. The man’s eyes popped at the force of the blow.
“I would say the same about you, but since you are always healthy, I will spare us both the empty courtesy.” The man turned to me. “And here is La Diosa.”
“Diana,” I said, bobbing a greeting.
“That is not your name here. Rudolf calls you ‘La Diosa de la Caza.’ It is Spanish for the goddess of the chase. The emperor has commanded poor Master Spranger to abandon his latest sketches of Venus in her bath in favor of a new subject: Diana interrupted at her toilette. We all wait eagerly to see if Spranger is capable of making such an enormous change on such short notice.” The man bowed. “Joris Hoefnagel.”
“The calligrapher,” I said, thinking back to Pierre’s remark about the ornate penmanship on Matthew’s official summons to Rudolf ’s court. But that name was familiar. . . .
“The artist,” Gallowglass corrected gently.
“La Diosa.” A gaunt man swept his hat off with scarred hands. “I am Erasmus Habermel. Would you be so kind as to visit my workshop as soon as you are able? His Majesty would like you to have an astronomical compendium so as to better note the changes in the fickle moon, but it must be exactly to your liking.”
Habermel was a familiar name, too. . . .
“She is coming to me tomorrow.” A portly man in his thirties pushed his way through the growing crowd. His accent was distinctly Italian. “La Diosa is to sit for a portrait. His Majesty wishes to have her likeness engraved in stone as a symbol of her permanence in his affections.” Perspiration broke out on his upper lip.
“Signor Miseroni!” Another Italian said, clasping his hands melodramatically to his heaving chest. “I thought we understood each other. La Diosa must practice her dance if she is to take part in the entertainment next week as the emperor wishes.” He bowed in my direction. “I am Alfonso Pasetti, La Diosa, His Majesty’s dancing master.”
“But my wife does not like to dance,” said a cool voice behind me. A long arm snaked around and took my hand, which was fiddling with the edge of my bodice. “Do you, mon coeur?” This last endearment was accompanied by a kiss on the knuckles and a warning nip of teeth.
“Matthew is right on cue, as always,” Joris said with a hearty laugh. “How are you?”
“Disappointed not to find Diana at home,” Matthew said in a slightly aggrieved tone. “But even a devoted husband must yield to God in his wife’s affections.”
Hoefnagel watched Matthew closely, gauging every change of expression. I suddenly realized who this was: the great artist who was such an acute observer of nature that his illustrations of flora and fauna seemed as though they, like the creatures on Mary’s shoes, could come to life.
“Well, God is done with her for today. I think you are free to take your wife home,” Hoefnagel said mildly. “You promise to enliven what would otherwise be a very dull spring, La Diosa. For that we are all grateful.”
The men dispersed after getting assurances from Gallowglass that he would keep track of my varied, conflicting appointments. Hoefnagel was the last to leave.
“I will keep an eye out for your wife, Schaduw. Perhaps you should, too.”
“My attention is always on my wife, where it belongs. How else did I know to be here?”
“Of course. Forgive my meddling. The forest has ears, and the fields have eyes.” Hoefnagel bowed. “I will see you at court, La Diosa.”
“Her name is Diana,” Matthew said tightly. “Madame de Clermont will also serve.”
“And here I was led to understand it was Roydon. My mistake.” Hoefnagel took a few steps backward. “Good evening, Matthew.” His footsteps echoed on the stone floors and faded into silence.
“Schaduw?” I asked. “Does that mean what it sounds like?”
“It’s Dutch for ‘Shadow.’ Elizabeth isn’t the only person to call me by that name.” Matthew looked to Gallowglass. “What is this entertainment Signor Pasetti mentioned?”
“Oh, nothing out of the ordinary. It will no doubt be mythological in theme, with terrible music and even worse dancing. Having had too much to drink, the courtiers will all stumble into the wrong bedchambers at the end of the night. Nine months later there will be a flock of noble babes of uncertain parentage. The usual.”
“‘Sic transit gloria mundi,’” Matthew murmured. He bowed to me. “Shall we go home, La Diosa?” The nickname made me uncomfortable when strangers used it, but when it came out of Matthew’s mouth, it was almost unbearable. “Jack tells me that tonight’s stew is particularly appetizing.”
Matthew was distant all evening, watching me with heavy eyes as I heard about the children’s day and Pierre brought him up to date on various happenings in Prague. The names were unfamiliar and the narrative so confusing that I gave up trying to follow it and went to bed.
Jack’s cries woke me, and I rushed to him only to discover that Matthew had already reached the boy. He was wild, thrashing and crying out for help.
“My bones are flying apart!” he kept saying. “It hurts! It hurts!”
Matthew bundled him up tight against his chest so that he couldn’t move. “Shh. I’ve got you now.” He continued to hold Jack until only faint tremors radiated through the child’s slender limbs.
“All the monsters looked like ordinary men tonight, Master Roydon,” Jack told him, snuggling deeper into my husband’s arms. He sounded exhausted, and there were blue smudges under his eyes that made him look far older than his years.
“They often do, Jack,” Matthew said. “They often do.”
The next few weeks were a whirlwind of appointments—with the emperor’s jeweler, the emperor’s instrument maker, and the emperor’s dancing master. Each encounter took me deeper into the heart of the huddle of buildings that composed the imperial palace, to workshops and residences that were reserved for Rudolf’s prize artists and intellectuals.
Between engagements Gallowglass took me to parts of the palace that I had not yet seen. To the menagerie, where Rudolf kept his leopards and lions much as he kept his limners and musicians on the narrow streets east of the cathedral. To the Stag Moat, which had been altered so that Rudolf could enjoy better sport. To the sgraffito-covered games hall, where courtiers could take their exercise. To the new greenhouses built to protect the emperor’s precious fig trees from the harsh Bohemian winter.