The girl retreats to let me in. “Of course,” she says, opening the door a little wider to admit me.
I pass in front of her. Although I’ve been to the Hargroves’ many times, the house feels different without its owners present. Most rooms are dark, and it’s so quiet I can hear the creaking of footsteps above, the rustle of fabric several rooms away. Goose bumps pop up on my arms. It’s cool in the hall, but it’s also the feel of the place—like the whole house is holding its breath, waiting for a disaster.
Now that I’m here, I’m not sure where to begin. Fred must have kept records of his wedding to Cassie, and probably of his divorce, too. I’ve never been inside his study, but he pointed it out to me during my first visit, and there’s a good chance that any documents he keeps will be there. But first I have to get rid of the girl.
“Thanks so much,” I say as she ushers me into the living room. I beam her my brightest smile. “I’ll just plop down here and write a note. You’ll tell Mrs. Hargrove the plans are on the coffee table, right?” I intend for her to take this as a hint to leave me, but she just nods and stands there, watching me dumbly.
I’m improvising now, grasping at excuses. “Can you do me a favor? Since I’m already here, can you run upstairs and try to find the color swatches we lent to Mrs. Hargrove ages ago? The florist needs them back. And Mrs. Hargrove said she left them for me in her bedroom—probably on the desk or something.”
“Color swatches . . . ?”
“A big book of them,” I say. And then, because she still hasn’t moved: “I’ll just wait here while you get them.”
At last she leaves me alone. I wait until I hear her footsteps retreat upstairs before venturing back out to the hallway.
The door to Fred’s study is closed but, thankfully, unlocked. I slip inside and close the door quietly. My mouth is dry and my heart is speed-racing in my throat. I have to remind myself that I haven’t done anything wrong. At least not yet. Technically, this is my house too, or it will be very soon.
I feel for the light on the wall. It’s a risk—anyone could see the light spilling under the door—but then fumbling around in the dark, overturning furniture, will bring them running as well.
The room is dominated by a large desk and a stiff-backed leather chair. I recognize one of Fred’s golf trophies and the sterling-silver paperweight sitting on the otherwise empty bookcases. In one corner is a large metal filing cabinet; next to it, on the wall, is a large painting of a man, presumably a hunter, standing in the middle of various animal carcasses, and I look away quickly.
I head for the filing cabinet, which is also unlocked. I rifle through stacks of financial information—bank statements and tax returns, receipts and deposit slips—dating back nearly a decade. One drawer holds all the employee information, including photographed copies of the staff’s ID cards. The girl who showed me in is named Eleanor Latterly, and she’s my age exactly.
And then, stuffed in the back of the lowest drawer, I find it: an unmarked folder, slender, containing Cassie’s birth and marriage certificates. There’s no record of a divorce, only a letter, folded in two, typed on thick stationery.
I scan the first line quickly. This letter is in regard to the physical and mental state of Cassandra Melanea Hargrove, b. O’Donnell, who was admitted to my care—
I hear footsteps crossing quickly toward the study. I shove the folder back in place, push the cabinet closed with a foot, and stuff the letter into my back pocket, thanking God I thought to wear jeans. I grab a pen off the desk. When Eleanor swings the door open, I triumphantly flourish a pen before she has a chance to speak.
“Found it!” I say cheerfully. “Can you believe I didn’t think to bring a pen? My brain is cheese today.”
She doesn’t trust me. I can tell. But she can’t exactly accuse me outright. “There was no book of swatches,” she says slowly. “No book anywhere, that I could see.”
“Weird.” A bead of sweat trickles between my breasts. I watch her eyes tick around the whole room, as though looking for anything disturbed or displaced. “I guess we’ve all got our messages crossed today. Excuse me.” I have to shove past her, moving her bodily out of the way. I barely remember to scrawl a quick note to Mrs. Hargrove—For your approval! I write, even though I don’t really care what she thinks. Eleanor hovers behind me the whole time, like she thinks I’m going to steal something.
Too late.
The whole operation has taken only ten minutes. Rick still has the engine on. I slide into the backseat. “Home,” I tell him. As he maneuvers the car out of the driveway, I think I can see Eleanor watching me from the front window.
It would be safer to wait until I was home to read the note, but I can’t stop myself from unfolding it. I take a closer look at the letterhead: Sean Perlin, MD, Chief Surgical Supervisor, Portland Laboratories.
The letter is brief.