Requiem (Delirium #3)

“What you’re seeing now are aerial images from all over the country, where our troops have been deployed to hunt down the last harborers of the disease. . . .”


For the first time, it strikes me that Lena is, in all probability, dead. It’s stupid that I have not thought of it until now. I watch the smoke rising up from the trees and imagine little bits of Lena floating away with it: nails, hair, eyelashes, all gone to ash.

“Turn it off,” I say without meaning to.

All four waiters turn around at once. Immediately, they push out of their chairs, readjust their ties, and begin tucking their shirts into their high-waisted black pants.

“Can we do anything for you, miss?” one of them, an older man, asks politely. Another reaches out and turns off the television. The resulting silence is unexpected.

“No, I . . .” I shake my head. “I was just trying to find my way back to the ballroom.”

The older waiter blinks once, his face impassive. He steps out into the hall and points toward the elevators, which are less than ten feet away. “You’ll just want to go up one floor, miss. The ballroom is at the end of the hall.” He must think I’m an idiot, but he keeps smiling pleasantly. “Would you like me to escort you upstairs?”

“No,” I say too forcefully. “No, I’ll be fine.” I practically take off running down the hallway. I can feel the waiter’s eyes on me. I’m relieved that the elevator arrives quickly, and I exhale as the doors slide shut behind me. I lean my forehead briefly against the elevator wall, which feels cool against my skin, and inhale.

What’s wrong with me?

When the elevator doors slide open, the sound of voices swells—a roar of applause—and I round the corner and step into the fierce glare of the ballroom just as a thousand voices echo, “To your future wife!”

I see Fred onstage, raising a glass of champagne, the color of liquid gold. I see a thousand bright and bloated faces turned toward me, like swollen moons. I see more champagne, more liquid, more swimming.

I bring my hand up. I wave. I smile.

More applause.


In the car on the way home from the party, Fred is quiet. He has insisted that he would like to be alone with me, and has sent his mother and my parents ahead of us with a different driver. I had assumed he had something to say to me, but so far, he hasn’t spoken. His arms are crossed, and he has tucked his chin to his chest. He looks almost as though he is sleeping. But I recognize the gesture; he has inherited it from his father. It means that he is thinking.

“I think it was a success,” I say, after the silence becomes intolerable.

“Mmm.” He rubs his eyes.

“Are you tired?” I ask.

“I’m all right.” He lifts his chin. Then, abruptly, he leans forward and knocks on the window that separates us from the driver. “Pull over for a second, Tom, will you?”

Tom pulls the car over immediately and cuts the engine. It’s dark, and I can’t see exactly where we are. On either side of the car are looming walls of dark trees. Once the headlights switch off, it’s practically pitch-black. The only light comes from a streetlamp fifty feet ahead of us.

“What are we—?” I start to ask, but Fred turns to me and cuts me off.

“Remember the time I explained the rules of golf to you?” he says.

I’m so startled, both by the urgency in his voice and the randomness of the question, I can only nod.

“I told you,” he says, “about the importance of the caddy. Always a step behind—an invisible ally, a secret weapon. Without a good caddy, even the best golfer can be sunk.”

“Okay.” The car feels small and too hot. Fred’s breath smells sour, like alcohol. I fumble to open the window, but of course, I can’t. The engine is off; the windows are locked.

Fred runs a hand agitatedly through his hair. “Look, what I’m saying is that you’re my caddy. Do you understand that? I expect you—I need you—to be behind me one hundred percent.”

“I am,” I say, and then clear my throat and repeat it. “I am.”

“Are you sure?” He leans forward another inch and places a hand on my leg. “You’ll support me always, no matter what?”

“Yes.” I feel a flicker of uncertainty—and beneath that, fear. I have never seen Fred so intense before. His hand is gripping my thigh so tightly, I’m worried he’ll leave a mark. “That’s what pairing is about.”

Fred stares at me for a second longer. Then, all at once, he releases me.

“Good,” he says. He taps casually against the driver’s window once more, which Tom takes as a signal to start the car again and keep driving. Fred leans back, as though nothing has happened. “I’m glad we understand each other. Cassie never understood me. She didn’t listen. That was a big part of the problem.” The car starts moving again.

“Cassie?” My heart knocks against my rib cage.

“Cassandra. My first pair.” Fred smiles tightly.