“That girl wouldn’t kill a fly,” Viv said to Dino, “let alone a husband. And why would she need to steal that painting? She would have inherited it anyway.”
“Touché,” Stone said.
“Oh, shut up,” Dino riposted. “You two are ganging up on me.”
Morgan joined them. “Old friends of Mark’s,” she said, indicating the other table with a nod.
“Why don’t you all come back for a nightcap?” Stone said. “I’ve got something to show you.”
? ? ?
THEY WENT BACK to Stone’s in Dino’s police car; Morgan asked to sit in the front. “May I turn on the siren?” she asked.
“Absolutely not,” Dino said. “I’d have to cite you under the noise ordinance.”
“Oh, come on, Dino,” Viv said.
“All right, just once.”
The driver pointed out the switch and she hit it, scattering a group of pedestrians crossing the street.
“That was fun,” Morgan said happily.
? ? ?
STONE SWITCHED ON the living room lights. “My new companion,” he said.
“This can’t be true,” Viv said, clapping her hands together. “You’re not that rich, Stone.”
“You are correct. It’s by a forger, but a very fine one.”
Viv inspected it closely. “I don’t remember her eyes being closed.”
“That’s what makes it a copy instead of a forgery,” Stone explained.
The Bacchettis had their drinks and left Stone and Morgan sitting in his study.
“I love your house,” Morgan said.
“Would you like a tour of the master suite?” Stone asked.
“Yes, please,” she replied.
17
LATER IN THE WEEK Stone got a call from Arthur Steele.
“Good morning, Arthur.”
“Good morning, Stone. Have you found the painting?”
“Not yet, Arthur, but I can tell you that the art squad of the NYPD obtained a search warrant for Mrs. Tillman’s apartment and went over it twice.”
“And found nothing?”
“They found a frame that the burglar probably discarded.”
“Nothing else?”
“They found a back door to a service stairway that has a broken lock, which gives the burglar a way in.”
“And supports Mrs. Tillman’s story,” Arthur said glumly.
“Cheer up, Arthur, they’re going to search her East Hampton house, too, and they’re trying for a warrant for Angelo Farina’s house and studio, too.”
“They won’t find anything at Farina’s place,” Steele said. “He’s far too smart to have it there. Do you have any other ideas?”
“Not yet, but you have motivated me very well, Arthur.”
“It occurs to me that I have not agreed to pay your fee if the NYPD finds the picture.”
“The head of the art squad is in my employ as a consultant, Arthur, and it’s too soon in the game for you to start trying to get out of our agreement.”
“I won’t do that,” Steele replied.
“Arthur, why don’t you take a few days off and put this whole thing out of your mind? You’ll feel better.”
“No, I won’t. Keep in touch.” Steele hung up.
Stone had been feeling guilty about working for Arthur Steele and, possibly, against the interests of a woman he liked. He picked up the phone and invited Morgan to lunch.
? ? ?
THEY SAT IN THE DINING ROOM at The Club, perusing the menu.
“What is this place?” Morgan asked. “I thought I knew every restaurant on the Upper East Side.”
“It’s a club,” Stone said, “but it doesn’t have a name.”
“Wait a minute,” she said, “do the members just call it The Club?”
“Yes.”
“Mark tried for years to get into this place, but he didn’t know the right people. How is it you know the right people?”
“A friend proposed me—Dino, too. In fact, Dino was a member before I was, and he had never mentioned it to me.”
“I’m impressed,” she said.
“Thank you.”
“With Dino.”
They ordered, then Stone took a deep breath. “Tell me,” he said, “which would you rather have—the van Gogh or sixty million dollars?”
“The van Gogh,” she said, without hesitation. “It was my favorite thing in my marriage.”
“That’s good.”
“Why?”
“Because your insurance company is trying very hard to find the painting, and if they find it they won’t have to pay you. You must understand that the Steele Group are my clients. I shouldn’t have told you this, and you can’t tell anybody I did.”
“Is that what all these search warrants are about?” she asked. “They’re searching the East Hampton house, as well.”
“Yes.”
“Well, I hope they find it, because I certainly couldn’t.”
“You’ve been looking for it?”
“Yes, indeed. I’ve been over the apartment and the house from stem to stern. I’m obsessing about it, I think.”
“I’m glad to hear that. I would not like to have thought that you were concealing the painting from the authorities.”
“If I were, that would lend credence to the suspicions of the police, wouldn’t it? And that would make me complicit in Mark’s murder.”
“I don’t think it’s possible that you had anything to do with his death.”
“You’d be surprised at how many people think it is, including some I thought were my friends.”
“You seem to be handling that very well.”
“What other choice do I have? I can’t prove that I didn’t kill my husband.”
“As long as nobody can prove you did, you’ll be all right.”
“Not as long as anyone still suspects me. I’ll have to live with it the rest of my life.”
Stone didn’t have an answer to that. Their lunch came and they relaxed and enjoyed it, and he felt much better now that he had told her about Arthur’s hunt for the picture. Of course, he hadn’t told her that he would profit if it was found. He’d save that for another time.
? ? ?
THE FOLLOWING DAY Art Masi came to see Stone. He took a seat. “I’m at my wit’s end,” he said. “We found nothing in the East Hampton house, and I couldn’t persuade the judge that I had grounds to search Angelo Farina’s place. What do you want me to do next?”
“Well,” Stone said, “you could work on the assumption that Morgan Tillman has always told the truth about her husband’s death and try to solve the crime.”
“I’m an art specialist,” Art replied, “not a homicide detective.”
“It’s in your interest to become one,” Stone said.
“Believe me, I understand that.”
“Art, what do you know about Pio Farina?”
“Angelo’s son? Not much. He’s an abstract painter, and he has a girlfriend who’s a sculptor—Ann Kusch.”
“Is he any good?”
“Yes, he is.”
“Does he make a living at it?”
“I think he does all right. He and the girl live in East Hampton village, but not on the beach. They have a show opening tomorrow night at the Wilder Gallery, on Madison Avenue, in the Seventies.” Art thought for a minute. “Are you thinking he could be the burglar?”
“He’s young and fit enough to be a cat burglar. I have nothing more than that to go on.”
“That’s not evidence.”
“There’s a computer over there,” Stone said, pointing. “Why don’t you run a check on him?”
Masi went to the computer and logged into the NYPD website, then entered his password to be admitted to a deeper level. He sat and stared at the screen.
Stone could see a photograph of a much younger Pio Farina over Masi’s shoulder. “What’s his sheet say?”
“He was arrested on suspicion of three burglaries in the Hamptons when he was nineteen.”
“Was he convicted?”
“He wasn’t charged—lack of evidence. After that, there were no more burglaries.”
“Well,” Stone said, “that’s a start.”
18
THE FOLLOWING MORNING, Stone got an invitation to a gallery opening featuring the works of Pio Farina and Ann Kusch. He called Morgan.
“Good morning,” she said.
“Good morning. I got an invitation to an opening for Pio Farina and Ann Kusch.”
“So did I.”
“Would you like to go? We can have dinner afterward.”
“Love to. What would you like to do after dinner?”
Stone laughed.
“So would I,” she said. “The opening starts at six. Pick me up at six-thirty.”
“Certainly.”
? ? ?
BY THE TIME they arrived the gallery was full of people drinking cheap wine, talking to each other, and ignoring the art.
“Would you like a drink?” Stone asked Morgan.
“Of that stuff? No thanks.”