MirrorWorld

Allenby gets a good laugh out of it, though. Slaps my shoulder. “Oh, you.” Her demeanor is casual. Comfortable. I find this strange, but perhaps it’s just a result of being institutionalized in a place where most everyone is afraid of me.

The helicopter touches down on a black landing pad at the center of the roof. As the rotor slows, Allenby slides the door open and hops out. There is no greeting party, just a flat black surface and a halo of pine-tree tops surrounding us. The scent of the deep woods is invigorating. I breathe deeply and step out.

“Follow me,” Allenby says, almost shouting to be heard over the still-slowing rotor blades. I fall in line behind her as we walk across the roof. “Some ground rules. Don’t talk to anyone who doesn’t first talk to you.”

“That’s a strange rule,” I point out. “Kind of old-world parental discipline.”

“It’s just that most people here are working on something, in their heads, even when they don’t appear to be working at all.”

“I see,” I say, but I really don’t. I stop walking.

After a few steps, Allenby notices I’ve stopped. She turns back. “What?”

“Why am I here?”

“To not be there,” she says, and I get her meaning.

“Anywhere is better than SafeHaven?” I say. “I’m not sure I believe that. From what it looks like, once I set foot inside this building, no one will know I’m here.”

Allenby grins. “And if I don’t tell you?”

“I’m going to run.”

“And get caught.”

I shake my head. “I think you know that’s not what will happen. You have five seconds to tell me why I’m here. Five … four…”

Allenby grunts and stomps her foot. “You’re infuriating. Fine.”

I grin, but also note she didn’t wait until I got to one, or until I started running. She believed me. Trusted what I said. I haven’t been given that kind of respect in a long time, and I appreciate it despite the circumstances.

“It’s a drug trial.” She waves her hand at her head. “For your condition.”

“What if I don’t want to be cured?” I ask. “I’ve seen what fear does to people, and I’m not sure I—”

“Not that condition,” she says. “The other one.”

I’m confused for a moment until I realize she’s talking about my memory. “What if I don’t want to remember?”

She turns away and starts walking. “You do.”

“You’re calling my bluff?” I ask.

“We both know you have a horrible hand,” she says, stopping. A square of rooftop before her comes to life, rising up. A black rectangle, ten feet tall, six wide, emerges from below and stops, looking like a futuristic megalith. And then it opens, revealing an elevator. Allenby steps inside and turns around. With a single raised eyebrow and a matching grin, she says, “Coming?”

*

Stepping out of the elevator, we enter a hallway that defies all of my expectations. Given the stark feel of the building’s obsidian surface, I expected something similar to the SafeHaven floor—stark, gleaming white, and brightly lit. Instead, it’s … homey. Warm hardwood floors. A thick, oriental runner down the middle of the hall. End tables with a variety of lamps. “This doesn’t look like a laboratory.”

“It isn’t,” Allenby says. “It’s the residential level.” She starts down the hall. She stops three doors down on the right. “This is your room.”

I feel like I’m in some sort of strange dream, and peek into the room, which is more than a room. It’s an apartment. From the doorway, I can see a kitchenette, living room, and dining area. The furnishing is comfortable. The brushed metal appliances are modern. The décor is casual, almost primitive, with wooden carvings and emotionally charged, modern oil paintings.

I step inside.

I’m drawn inside.

Immediate comfort washes over me. My muscles relax. “How did you do it?”

“What?” she asks.

I motion to the apartment. “This. I don’t think I could have told you what I would like in an apartment, but … this is it. Every detail feels … right. Like home.”

“I’m not an interior decorator,” she says.

A painting in the living room attracts my attention. It’s a two-foot square of color—thick dabs of red radiate out from the middle to orange, yellow, and a hint of green around the fringe.

“How does it make you feel?” Allenby asks.

“I thought you were a medical doctor.”

She steps up beside me, eyes on the painting. “I’m not evaluating you.”

“Yes you are,” I say. “How does it make you feel?”

“Melancholy.” She turns away and heads back toward the door.