I’ll Take You There



12




He called me Anellia, he'd remembered that name.

Driven from Vernor Matheius's door like a stray dog yet I had not the moral strength to keep away from him. The more he cast me from him with disdain-You don't want to do this!-the more I was drawn to him. I could think of no one else. I wished to think of no one else. In a delirium of yearning feeling the angry impress of his fingers against my arm; seeing his blood-darkened face, that look of exasperation and alarm. Don't, you don't want, Anellia you don't want to do this.

He was begging me. He was commanding me. He was instructing himself as well as me. And this not out of principle but instinctively.

I began to reason then, with a logician's certainty: it was possible, in the sense that it was not impossible, that Vernor Matheius might love me someday.

Or, allow me to love him.

"Anellia"-a name, a riddlesome sound, that had leapt to my lips as if it were Vernor Matheius who'd named me and not myself.

For each of our lovers invents us anew. Names us anew. The old is erased utterly. Struck dumb.

My own name was so common, ordinary, I'd begun to detect irony in its sound when it was spoken aloud. Since childhood I'd told myself Differently named, you'd be a different person.

Yet I worried that, repudiating my baptismal name at the age of nineteen, I was inadvertently repudiating my mother Ida. For Ida had named me.

"Anellia"-strange name. Never heard it before.

Well. You've never met me before.

I did not return to 1183 Chambers Street. More shrewdly I returned to the coffeehouse. In that grungy-romantic interior amid clouds of smoke and black-coffee fumes I wore the green suede jacket with its air of bygone, frenetic glamor; I wore the gauzy scarf that was the color of opalescent pearl; my hair had been shampooed, and was glossily combed; my thin chapped lips were transformed by crimson grease; I was not I but Anellia, drawing glances of interest from strangers. Anellia appeared to be a pretty undergraduate girl with a flattering curiosity about chess-"Oh no, I don't play! Just like to watch good players." It happened that Vernor Matheius was playing chess with a Dutch chemist with whom (I gathered) he often played in the coffeehouse, and so he could ignore me if he wished as I could ignore him. A young man befriended me; bought me coffee, offered me a cigarette; we murmured together in admiration of certain of the chess players; when he mentioned Vernor Matheius's name, innocently I inquired, "Who is he?" and my new friend said, "A philosophy Ph.D. student, supposed to be brilliant, but-" making a vague bemused gesture with his fingers, meant to indicate-what? That Vernor was too brilliant, or only just supposed to be brilliant? That Vernor was in some way eccentric? To be the only dark-skinned individual in most settings in which he found himself, to behave as if this were not a fact visible to all, requires a certain degree of self-definition, which might be mistaken for eccentricity. To my new acquaintance I said, as Anellia might have said, innocently ironic, playful, "Whoever he is, he's beautiful."

Nearly everyone in the coffeehouse was smoking. This was an era of smoking. An era permeated by the haze-dreams of smoking. Blown-up photographs of the heroic, heraldic figures of "French existentialism"-our secular saints-Camus, Sartre, de Beauvoir gazed down upon us from the hammered-tin walls of the coffeehouse through romantically drifting clouds of smoke, cigarettes in their hands, or drooping from their lips. I could not smoke: I hated tobacco: the thought of defiling my lungs, that I knew with my fatalist's certainty would be more vulnerable than the leathery lungs of others, filled me with revulsion. Yet I felt the erotic undertow of smoking. I conceded its cheap movie-screen glamor. There was Vernor Matheius lighting a cigarette distracted by a move of his opponent on the chessboard, I saw the forehead creased in concentration, the squinting eyes, the way in which, negligently, the burning match is shaken out, and tossed toward an ashtray. I saw again my father smoking his endless cigarettes; my doomed, drunken father squinting upward at a light fixture in the ceiling of the old farmhouse, and grinning foolishly; he'd managed to take a snapshot of himself in this strange pose, timing the shutter of the old Brownie Hawkeye camera to click after a count of three; why such a comical pose, for "whom was it taken? Was this evidence of a man I'd never known? Before I'd left for college I had looked in secret through my grandmother's few mementos, searching for further evidence of my lost father, but I'd found nothing that I had not already seen many times. I would wonder if Vernor Matheius was right: we have no personal identities because we have no personal histories, all that is "personal" must be lost, repudiated. Watching Vernor covertly I saw that his facial bones were sharper, crueller than I recalled.

The schoolboy glasses flashed with malevolent intelligence. I felt again, in a sudden faint swoon, the impress of his fingers on my arm. I alone of these people have been touched by him. I alone, intimately touched by him. Naively I prayed for Vernor to win his chess game for If he wins he will glance up elated and pleased with himself and he'll see me and smile, in that instant Anellia will be invited to join that happiness; if he lost, I seemed to know that with a sullen smile he'd mutter a few words to his Dutch companion, praise for the other's game, an expletive of disgust for his own, and avoiding all eyes he'd simply walk out. He would take no notice of Anellia at all and if he did, Anellia would be one more reason for his self-disgust, and for his escape. But Vernor and his heavyset opponent were so evenly matched that their game seemed never to be ending; though each had few pieces remaining, their brooding moves required many minutes' concentration, and I was forced to leave the coffeehouse at a quarter to eleven. I would not believe afterward that I'd squandered two and a half hours of my life; desperately, recklessly I'd hung around the coffeehouse like a small thin candle burning wanly, unseen and unknown; if proof of my rational deterioration was required, this was it; yet I felt disappointment only that the game would end, and it might end happily for Vernor Matheius, without me to witness.

"Vernor, good night."

These words I dared whisper, only just loud enough for Vernor Matheius to hear if he wished to hear, or to ignore if he wished to ignore, and leaving the coffeehouse I saw him glance up in my wake frowning, unsmiling, without recognition, yet without an expression of annoyance or rejection either.

I ran back to my residence hall, breathless and elated.

He doesn't hate me. One day, he will love me.

The drama of such sightings. Where panels in the world's opacity slide open unexpectedly, a brilliant blinding sunshine floods us with warmth. Often in the university library I observed Vernor Matheius at a discreet distance. In so busy a place, the observation of another isn't at all difficult; isn't risky, or not very risky; there were very good reasons for me to prowl about the library's third level which was the domain of philosophy, religion, and theology; before I'd come to know Vernor Matheius, I'd spent hours reading philosophy journals in a cramped little lounge with a single long smudged table and a half-dozen chairs usually occupied by graduate students in philosophy (you could recognize them instantly: many were older, worn, bewhiskered, graying as if they'd been questing truth for a long time, decades and centuries and their faces had grown parched as soil in a time of drought); nothing excited me more than to open the pages of such publications as Ethics, The Journal of Metaphysics, Philosophical Review, even Thomist intrigued me; though after I'd fallen in love with Vernor Matheius, the periodicals room held less of an enchantment. Of course it was in exciting proximity to Vernor Matheius himself. Of course I knew exactly where Vernor Matheius's carrel was, amid a row of fifteen carrels assigned to advanced graduate students; on this crucial evening I was wearing a pale yellow angora sweater and a pleated tartan plaid skirt that swung at my hips, it was so large for me, and yet (I reasoned) so very classy; what others might call preppy; I believed that I looked attractive; mirrors assured me, my somewhat feverish face had been made into an attractive female face; my hair had not been shampooed for several days perhaps but I'd taken care to comb it in a provocative style as my Kappa sisters had once taught me; my facial expression, too, was subtly calibrated, a thoughtful look neither piously somber nor annoyingly cheerful. As if a comforting voice had assured me You are worthy of being loved, you are not a clown and a fool and a garbage-digger and shameless offering yourself to this man like a whore not knowing how even to offer herself. It had been thirteen days since Vernor Matheius had brought me to his apartment, and within five crushing minutes sent me away again. Thirteen days of shame, remorse, mortification, and hope: hope craven as a kicked dog who whimpers with pleasure at the mere presence of his master. Thirteen days of waking in a coffin-sized bed too exhausted and heavy-hearted to push myself out of bed, unless I woke exhilarated and manic, my pulses racing. He has made me so happy. By existing he has allowed me to exist. In such a nerved-up state I was inspired to write: the outermost layer of my skin had been peeled away, now the very air hurt me, and wakened me.

One day, fever dreams of this time would be transcribed into the formalist prose pieces of what would be my "first book" unknown and unguessed-at, as a galaxy many light-years distant, in this fevered time.

Making my way along the row of carrels. There, Vernor Matheius's carrel! Yet when Vernor glanced up at me, I seemed not to have expected to see him; in my preppy clothes and pink lip gloss, I didn't smile at him until he smiled at me; a smile leapt instantaneously between us, like a lighted match.

His voice was low, gravelly-"You. 'Anellia.' What the hell are you doing here, this time of night?"

His eyes frankly stared; beautiful lashed eyes of an unnatural size, strained and glaring behind the schoolboy glasses, as if the eyeballs were pushing through the sockets. Obviously he knew (did he?) that I was seeking him out and yet he didn't send me away, he didn't express displeasure; eagerly I thought He has taken pity on me, my very need of him. As a master about to kick his dog pauses, seeing in the dog's shimmering eyes a capacity for love, and for hurt, that exceeds the master's wish to give pain. I saw how Vernor took in the pleated tartan skirt that had once been the possession of an American girl whose parents had so loved her, they'd lavished her with expensive clothes; I saw how Vernor took in the angora sweater, which fitted my small chest snug as a child's sweater, which perhaps it had once been. My happy smile Here I am! let me love you! don't deny me! I will cease to exist! as in an even voice I told Vernor Matheius that I often worked up here, this was my favorite place in the library, I'd discovered it early in my freshman year.

"Especially the periodicals room. As soon as I first stepped inside, and saw, I think it was the Journal of Metaphysics-I knew this was where I belonged."

Vernor laughed. He had no reason to doubt me, yet he was behaving as if he doubted me. Shutting the heavy book he'd been reading, a commentary on Wittgenstein's Tractatus Logico-Philosophicus, and shoving it away.





13




"It's late. I better walk you home." Adding, as a point of information, "Your home."

"But it isn't a 'home,' it's just a place I stay." "Any 'home' is 'just a place I stay.' That's its essence." We were leaving the library together. A leeching-wet wind shoved against us. Not a sentimental wind. Not a wind of romance. I loved this wind, it made Vernor Matheius feel protective of me. Sidelong he regarded me quizzically, with a kind of interest. Though not touching me. Propositions came to me, skeins of words. Remarks to make Vernor smile, or laugh. But I couldn't speak. My heart was pounding as rapidly as it pounded sometimes in my sleep.

I had been reading Wittgenstein. There are no philosophical problems, only linguistic misunderstandings. Was this so? If so, -why write at such length about it? I could understand Vernor's attraction to such a philosophy. Spartan, rigorous. Surpassingly skeptical. Well, good: philosophers should be skeptical. (No one else is: the mass of mankind is credulous as a gigantic infant, willing to suck any teat.) In the presence of a man like Vernor Matheius it was wisest to say very little. You could see, Vernor could love only a woman who said very little, for speech makes us vulnerable, exposes us. What Vernor liked about silence was that he could break it when he wished. Saying, after a long pause, "You are a strange girl, Anellia. But you know that. Tell me this one thing: what d' you want?"

"-what do I want from-life? Or-"

"No, girl. From me."

There. It was said.

No playfulness between us. No sexual banter. Though there was (I saw, helpless) the swagger of the man's body, the ease of his knifeblade-body, the incline of his head. He began to whistle in his thin tuneless way; you could see it must've been a terrific way of provoking his elders. And maybe rolling his eyes. Big white-orbed Negro eyes. There was the hand-knitted cap pulled low on his forehead, crinkling his skin. A caption beneath this face might read WANTED.

I was taken by surprise. Yet I could not show it. I would examine my obsession with this man as if it was a problem: an intellectual puzzle intriguing to us both. For we were students of philosophy, engaged in a common quest for truth; for paring back myths and subterfuge in the pursuit of truth; and what is philosophy but the ceaseless and indefatigable invention of and "solving" of problems? I understood that Vernor Matheius was asking frankly What do you want from me that you imagine I can provide you? And what would you presume to provide me, in return?

By the calendar it was early April. Yet snow remained on the ground like strips of grimy Styrofoam. We walked with our heads ducked against the wind in our common effort; we walked without speaking; Vernor Matheius had posed a question to me which I would not answer glibly; I was in fact stymied by how to answer it at all; his whistling was both companionable and meant to distance him from me; air gusted about us like roiling thoughts. I thought with a smile If the would-be assailant should see me, he would be forced to re-define me. And if my Kappa ex-sisters should see me?

Without asking me, without a word of explanation, Vernor Matheius steered me to Allen Street, to a pub called Downy's. Was he really taking me here? Would we be entering this noisy, crowded campus pub together, like a couple? Vernor Matheius a head taller than the diminutive white girl at his side? In the smoky interior, eyes moved upon us; there was an unmistakable shifting of attention, on the part of a number of individuals; a reflexive instinct, and nothing personal. Of course, Vernor Matheius took not the slightest notice. He was accustomed to being looked-at, and maybe stared-at. He was accustomed to being visible.

Vernor Matheius nudged me toward the rear of the pub. Into a small booth in a corner. On the old-wood walls were orange Syracuse pennants; laminated newspaper pages, SYRACUSE WARRIORS TROUNCE CORNELL. I had never been in Downy's before but it was a place much liked by Kappas, and when Vernor went to the bar to get drinks I saw that I was being observed, eyes shifting on me and away, by several Kappas, in the company of their fraternity boyfriends. Oh my God. Look. And who she's with. I felt a thrill of defiance, vindication. They had known I was a bad girl, and this was the proof.

Vernor Matheius returned finally with two tall glasses of beer. He'd had to wait at the bar, but you could see the bartenders were busy. And finally he was served. And made his way back to the booth. My first taste of beer, and it seemed to scald my mouth. The bitter dank smell. I thought of my vanished father. The delicious poison he'd been able to extract from alcohol. Vernor Matheius drank, and laughed, his chunky white teeth laughing, not at me but-"This place, know what it makes me think of?" I shook my head, leaning forward to hear. The table beneath my elbows was made of old timber, two crude planks varnished to a dark sheen, covered in carved initials, inked phrases, cigarette burns. "Schopenhauer. The Will. The triumph of the Will." He gestured at the crowd, the smoky haze penetrated by shrill voices and laughter. I said, with an air of contrition, that I didn't know much about Schopenhauer; Vernor Matheius shrugged as if he'd have been surprised, if I had; he was a natural teacher, or preacher; hadn't he said, he'd studied in a seminary, he began to speak of Schopenhauer and his "quarrel" with the philosopher who believed that the individual is but the phenomenon and not the thing-in-itself; though he had to concur with Schopenhauer that in strife, sex, reproduction the individual is the dupe of the species-"The unenlightened individual, that is." When he'd been twenty-four, it was philosophy that had opened his eyes; philosophy that was "an ice pick, a scalpel"; philosophy that was a surgical instrument for analysis, dissection, debridement, and comprehension. I listened fascinated. I had never heard anyone speak so passionately. And to me. If I hadn't already been in love with Vernor Matheius I would have fallen in love with him now, within the space of a few minutes; I was lost to him; mesmerized by his voice; his intelligence; the purity of his conviction, and its impersonality. Vernor Matheius's voice amid the drunken clamor of the pub at this, its most crowded hour. How he yearned, he said, for a "life of the mind"; for the clarity of "pure, blazing, fearless thought" to illuminate the murk of history and of time. " 'Better that the world should perish than that I, or any other human being, should believe a lie'-as Bertrand Russell said. Wittgenstein's mentor at first, and then his rival and enemy." When he fell silent, I could not think of a worthy reply; I tried to smile, and didn't succeed; I was overwhelmed by him, like a swimmer who has ventured into a river not knowing how quickly the land falls away, how powerful the undertow. Vernor Matheius saw my perplexity and said it was an irony, wasn't it, he was being trained to teach, yet he hadn't the patience for teaching, at least not undergraduates; probably he wouldn't wind up teaching if he could survive somehow else, there was the example of Wittgenstein who'd been a gardener, for a while; working with your hands is a good antidote for too much thinking; anyway, it wouldn't matter how poor he was; he, Vernor Matheius, was used to being poor; his parents were both dead, long ago; his family was scattered; he himself had no intention of ever marrying, and still less would he sire offspring; he declared he had no interest in perpetuating his precious genes, or the very species Homo sapiens-"They can get along without this fellow's contribution."

But how sad, was my immediate thought. I said, "Oh, I understand."

He laughed for some reason, I hoped not at me; and I laughed with him. He was a man, I saw, who liked to laugh; yet didn't have much opportunity to laugh; for the professional study of philosophy doesn't inspire laughter, nor any degree of mirth; just as the earthy smell of death is excluded from the philosophical examination of finitude and death, so too laughter is excluded; it was a somber, sobering vocation. I thought I will help him to laugh. Inspiration, fueled by the giddiness of the moment. Several awkward swallows of beer. Trying not to gag. Yes, I would inspire laughter in this man; I refused to be one of the women who diminish, not increase, a man's laughter; I refused to be a woman who made Woman my life. Quickly I told Vernor what was only true: I agreed with him, I didn't want to marry, didn't want to have babies. (But was this so? Ida had married, Ida had had babies.) Vernor laughed carelessly saying he'd never met a "female" who wasn't maternal-"In her heart, if you could penetrate it. Or another organ." Hotly I said, "There are exceptions." "No exception 'proves the rule.' Only disproves it." I was left behind in all this. Vaguely I smiled lifting my glass. Vernor drained his glass, went to buy another. I sat basking, or dazed, in the aftermath of his words. Had he praised me? Had he made an exception of me?

A couple now. Perceived as such.

It hurt me to recall how, in the Kappa house, I'd overheard my Kappa sisters speak of "niggers." Not meanly, not with malice, but matter-of-factly. One of our house boys was a Negro, that's to say a "nigger." There were categories of girls whom Christian sororities automatically cut: "niggers," "Jews."

A fractional Jew, I could pass.

And there was Vernor Matheius. I am who I am, none of you can trap me with your language.

Returning to our booth, Vernor began speaking in a new way. As if, standing at the bar, he'd glanced back in my direction and hadn't liked what he saw. For now he was antagonistic; asking me again what I wanted from him; what I thought I was doing, chasing after him- "Girl, don't wince. 'Chasing after' is it." I felt my face heat; I could not defend myself; I could not say that it was Vernor Matheius who drew me to him, not I who had the volition to be drawn. I could not say But I fell in love with your voice, your mind, before I even saw you. For it was preposterous, it would make him laugh in derision. He stared at me, frowning. Saying maybe I was just naive? inexperienced? too trusting? "There are men who'd take advantage of you, you must know. You're an intelligent girl, Anellia." I heard his words, I was thrilled by the sound of Anellia in Vernor Matheius's voice. I had no reply to his statement for it was not a statement that could be refuted. I liked it that I was being presented to myself as a problem to be solved; my face was hot with embarrassment and pleasure; it was like being teased by my brothers when they weren't being cruel, exactly; simply to be noticed was a thrill. In noisy Downy's there was happy brainless laughter for which I was grateful, I couldn't be expected to raise my voice against it. I smiled at Vernor Matheius shyly. Yes but I love you. That is the problem to which all other problems can be reduced. As if he'd heard my thoughts Vernor frowned again; he removed his glasses and polished the lenses with a tissue; without the glasses his face loomed above me with sudden startling intimacy; the contours in the oily dark skin around the eyes, the somewhat sunken sockets, the lashes long as a child's, the exaggerated flatness of the nose that would have been (I thought this without thinking) disfiguring in a Caucasian face. When Vernor Matheius shoved his glasses back onto his face, adjusting the wire frames behind his ears, he seemed to be glaring at me, seeing me more distinctly.

Without a word he rose. Immediately I followed.

In a haze of not-knowing what would come next I followed Vernor to the door as he shrugged on his sheepskin jacket, pulled his wool cap down on his head. He'd left me to struggle with my own coat. Not out of rudeness (I was certain), he just hadn't noticed. It was time for us to leave, ergo it was time for us to leave. The actual process of making our way through the crowd, to the door and out, was a secondary matter.

Yet, at the door, he remembered me; he paused, to let me pass through the doorway ahead of him; I felt his fingers lightly on my shoulder; again, I had the sense that he was herding me; impatient with me; I didn't think at the time It's a gesture of possession in this public place. Even if no one is looking. Not that Vernor Matheius wants me sexually or in any other way but he wants to make a public claim, a proprietary gesture. Behind us I felt the net of eyes and disapproval and I laughed stepping out into the cold; into a damp wind bracing as a slap in the face when you've been a little dazed, giddy. I would have expected Vernor Matheius to say good-bye to me on Allen Street but instead he walked me to my residence hall, several blocks away, an old brick building undistinguished as an old shoe, and no words passed between us; I could think of nothing valuable to say, and nothing I dared say; Vernor Matheius seemed to have run out of words, too; for there are problems that may be too snarled to be solved. At Norwood Hall, outside the lighted front entrance, Vernor Matheius said, "I won't come in. I'll say good night here. I want you to know, Anellia, you're not new to me." He smiled at my look of confusion. I said, stammering slightly, "Not n-new?To you?" He said, backing off, "I saw you a while back. It was you. Scavenging in the garbage behind the Mohawk Bakery." Vernor laughed at my look of distress. How long he'd been waiting to tell me this, I would have to wonder. My face burned with shame, I had no defense.

"Hope you're not scavenging with me, girl."

Vernor walked off. He knew I would stand stricken behind him, staring as he strode away. Other girls and their escorts passed by me, I had no awareness of them. There went Vernor Matheius in his sheepskin jacket taking long strides across the street, away from me without a backward glance to see how I gazed after him.

Yes but I love you, nothing can shame me.





14




I'd wanted to be independent. I'd wanted to earn money, at the age of fourteen. So I could say like my brothers that I worked, I had a job. If my father telephoned, and if he asked to speak to me, I would tell him about my work, my job. For work on the farm and in my grandmother's house didn't count, earned me no money or the small respect that comes with earning money. And so I did housework for several Strykersville women, well-to-do by local standards, exhausting daylong jobs arranged for me by a great-aunt of my father's who lived in town and whose relationship to my rural, diminished family was sympathetic, though condescending; one of the women for whom I worked was Mrs. Farley the doctor's wife, an entire Saturday in June just after school ended for the summer; there I was vacuuming, sweeping, scrubbing, mopping, and scouring through the Farleys' six-bedroom Colonial on Myrtle Street; Myrtle Street was Strykersville's most prestigious street; I'd never been inside one of the houses on that street; and now my heart beat in resentment, and yet in admiration and envy. There were classmates of mine who lived in this neighborhood and I'd never thought so clearly of what it might mean in one's soul to live on Myrtle Street as if one were entitled to Myrtle Street .

Mrs. Farley's soul had been plumped up living on Myrtle Street, like a hen's breast feathers.

As I worked inside, I could see the Farleys' lawn bay working outside. In fact he was no boy but a hump-backed Negro in his fifties with a skin coffee-colored like Joe Louis; he had something of Louis's furtive, watchful manner, carrying his arms high, as if like the boxer he was practiced in the art of self-defense. From the kitchen I could see him; from the upstairs windows I could see him; from the laundry room I could see him; from the rear porch I could see him; he was spading and weeding in Mrs. Farley's flower beds, and not once did he see me; he never glanced toward the house; he worked in the sun fully absorbed in his own consciousness like a man who knows that, if you happen to glance at him, you won't see him. You'll see the lawn boy.

Mrs. Farley was a fussy, watchful employer. She'd had problems with other cleaning girls and would have, she seemed to know, a problem with me. She was concerned that I might break one of her pieces of Wedgwood china, or a Dalton "figurine"; grimly she oversaw me as I sat, dirtied and bored, at the dining room table polishing silver: silverware, silver candlestick holders, absurd little cream and sugar bowls, heirlooms as Mrs. Farley called them; how she and Mrs. Thayer would have liked each other, in their common passion; still, I didn't hate Mrs. Farley until I heard from her thin-lipped mouth the expression, which was the first time I'd ever heard it-Negro-lover. She didn't say nigger-lover; this wasn't a term a woman of her pretensions would have said. Instead she said Negro-lover in reference to something that had been reported that morning on the radio; the acquittal of white murderers of a black man in Georgia, by an all-white jury; the protests by a scattering of church leaders and politicians in the wake of the acquittal.

Negro-lovers these individuals were, in Mrs. Farley's vocabulary. In Strykersville, there were few Negroes; in our county there was no "civil unrest"; in nearby Buffalo there'd been "race riots" some years ago, following the end of World War II; but there was no threat of racial strife in Strykersville, and so Mrs. Farley uttered Negro-lover in a bemused voice, as one might speak of garbage-lovers, mud-lovers. I said at once, in my bright girl-student manner, "Christians are supposed to love everybody, aren't they, Mrs. Farley?" The stab of emotion I felt was mixed in my memory with the stink of bright pink silver polish and the greasy, disgusting feel of rubber gloves; it was mixed with the startled expression on Mrs. Farley's face as she stared at me, half-smiling as if uncertain whether I was joking. Her cheeks mottled; her eyes filled with hurt; I was rubbing savagely at a badly tarnished little spoon; I was thinking how, as Mrs. Farley watched, I might push the handle into a crack in the table and bend it, at the same time splintering the beautifully polished rosewood table; yet I did nothing like this, nor did I say another word; perhaps my courage had run out abruptly. Mrs. Farley left the room, and when we next spoke she was curt and polite and cool; if she'd been trying to like me, thinking to befriend me as a poor farm girl lacking a mother, she would try no longer. I'd offended her, and just possibly I'd frightened her. For never again was I hired to clean the Farleys' six-bedroom Colonial on Myrtle Street for eighty-five cents an hour.

I was glad of this. I told my father's great-aunt so. She said, annoyed with me, that Mrs. Farley was spreading the word in Strykersville, I wouldn't be offered housework anywhere-"She says you're sloppy and careless and arrogant. She says you're too smart for your own good."

It was true: I was too smart for my own good, or for anyone else's.



Negro-lover, nigger-lover. That epithet of the times believed to be unspeakably obscene. Like cock-sucker which was an expression of abuse also used exclusively by men in speaking of, or to, other men; like-minded men; men who understood one another because they "were men; and not cock-suckers who might resemble men but who were not men. No woman would be called a cock-sucker though the practice (I had only the dimmest, repelled notion of what this practice might be) was not limited to men. Would a woman be called a nigger-lover? When, in fact, many women loved Negroes? It had not escaped my notice that in most interracial couples, the woman is white, the man black. Was I now a Negro-lover, was I a nigger-lover? When the color of Vernor Matheius's skin was to me of no more significance than the color of a shirt he wore, or the color of his vivid red scarf.




previous 1.. 3 4 5 6 7 8 9 10 11 ..13 next

Joyce Carol Oates's books