Maggie strolled the room while Mrs. Griffin crimped linen napkins and teased pastries onto the plates without disturbing powdered sugar or icing. Maggie scanned the display on the fireplace mantel, almost a dozen framed photos of different sizes and shapes. Amanda as a baby. Mrs. Griffin with her extended family, all dressed up and smiling. A wedding photo of Cynthia and Mike Griffin. More of Amanda in various stages of childhood. And then one photo caught Maggie’s eye.
Three soldiers in military fatigues stood in front of a tank with a stark background that looked like miles and miles of sand. The one in the middle was a young Mike Griffin, his arms around the other two and smiling for the camera.
She almost glanced away, then realized the man on Griffin’s left was also familiar. She took a closer look but there was no mistake. The man was Frank Skylar.
CHAPTER 52
Wesley Stotter couldn’t believe his eyes. He had already snapped more than fifty photos and was worried he’d run out of disc space on his digital camera.
He had brought along a pry bar but was surprised to find the back door unlocked. A keypad at the door implied security access. He suspected someone must be on the complex grounds and had stepped out for a minute; however, Stotter hadn’t seen any movement. If he ran into a worker he’d pretend to be lost. What was that old saying, “It’s easier to ask forgiveness than permission”?
The outside of the building had been so plain. Inside, Stotter was surprised to find whitewashed walls and an impressive labyrinth of stainless-steel counters topped with strange equipment and utensils that looked like a surgical suite. The counters were intersected with cylindrical tanks, some small, some large. Several stretched from floor to ceiling. They were filled with liquid and each had objects floating inside. All of them emitted an eerie blue glow—probably a fluorescent light somewhere inside each tank.
A built-in wall cabinet with a padlocked glass front displayed an array of other equipment that Stotter had never seen before. At first glance the stuff reminded him of something out of a Star Wars movie. Or—and this was what excited Stotter—perhaps weapons taken from a downed and disabled alien spacecraft. One appeared to be a scoped rifle but made of a strange metal and with an odd attachment on the barrel. At the stock, an electrical cord—only thicker—connected the rifle to what looked like a canvas backpack.
Hanging beside the rifle were several different pairs of goggles. Stotter squatted to study them. One pair had bulbous dark-green lenses with pinpoint red dots in each. Night-vision goggles, he suspected, and he wondered if these were what he had seen on the creature running in the forest. Was it only a man, after all?
Before he moved on to the next room he wanted to get closer shots of the tanks. He adjusted his camera to twilight mode so he could capture the images despite the fluorescent blue glow. He hadn’t noticed until his fingers stumbled over the settings that his hands were shaking. His shirt had become glued to his back and his beard was damp with sweat as well.
He thought he heard a door open and he stopped.
Car stalled. Lost my way. He tried to prepare his story while he drew closer to the tanks. Just fascinated by everything you have here—that’s what he would tell them. But he needed to stow the camera in his backpack or certainly they’d take it away from him.
He glanced around and didn’t see anyone. Maybe it was his imagination again. An electrical motor began to hum and a fan above him came on. Stotter let out a breath and wiped his forehead. Of course, it was just the equipment turning on and off. But still he needed to be quick. He shouldn’t press his luck.
In the first tank huge plant leaves floated, layers and layers of them. Gorgeous, unusual large leaves with bloodred veins running throughout. The liquid in the tank kept them perfectly preserved. He snapped a few photos and moved on to the next.
He stared for a few minutes at the next tank. Five very different objects, different sizes, shapes, and consistencies. They looked organic but almost translucent, the blue glow shining through in areas and highlighting what looked like a network of veins and blood vessels. Again he squatted to study them from below and that’s when he recognized the object right in front of him. The shock made him jerk backward. His knees gave out and sent him sprawling. He dropped his camera and it skidded just out of reach.
Another motor turned on somewhere in the building, and yet Stotter didn’t take his eyes off the object.
He hadn’t been able to identify it at first. But even from this angle—his butt on the cold tile floor—Stotter could tell that what he was looking at was an eyeball.
He crawled to his knees, still not taking his eyes off the tank and examining the other floating objects. Now he could make an educated guess as to what they were. He needed to focus as he tried to remember everything that was missing whenever a rancher found a mutilated cow. Because Stotter was pretty sure he had just found some of those missing pieces.