I held on to that happy thought as I picked my way through the ship. It was ghostly, empty. Unlike the Milk Chocolate Marauder, there was the usual detritus of a shipboard life—mysterious alien artifacts that were probably chewing gum wrappers and condoms and shoelaces, or the moral equivalent. The archinformists were going to have a field dia with this place. I spotted a small enclosure with some unsettling plumbing that I was pretty sure was the head. When I investigated it, I managed to figure out how to make one of the fixtures make the sort of whooshing sound that generally indicates a vacuum disposal. Fitting my anatomy to it would be a different issue, but I didn’t intend to be sticking around that long.
The other fixture produced actual water—H2O—that seemed clean and uncontaminated to a quick field test.
Stop for a moment and just appreciate it. Actual water. Running water. In a ship that had been parked out behind a black hole for possibly millions of ans.
That left me with more of a sense of awe than anything else I had seen that dia.
It also told me that the Koregoi (or at least, these Koregoi) probably used good old water as a solvent in their biology. Just as I did. That was important and interesting. The ship’s atmosphere told me they breathed a tolerable mix of oxygen, nitrogen, and the usual accoutrements. I would bet I could survive where they came from.
Science! But there was no sign of aliens, dead or otherwise. There was just the mysterious warmth, and what Singer assured me would be a perfectly breathable atmosphere if my suit developed a catastrophic leak. Even so I was glad we’d gotten the new ones at Downthehatch.
He utterly forbade me to crack my helmet, though, which seemed like an unkind tease. Why tell me I could breathe it and then leave me smelling my own farts?
I know, I know. Pathogens. And not the fart pathogens. The alien ones.
“I think I’m in to the system,” Singer said. “Working on sorting this data out. I’ll have to teach myself their language, but that shouldn’t be too hard. They seem to have been carrying a lot of children’s picture books, or the alien equivalent.”
“That’s depressing,” Connla said.
I asked, “How come?”
There was a pause, as if he couldn’t believe what a barbarian he was dealing with, before he said, “Because that probably means it was a colony transport, and full of young sentients. Before it mysteriously got abandoned near the event horizon of a giant black hole, with all their stuff in it.”
I peered into a cabin that had obviously been a bunkroom. Six beds, sized for two humans apiece—or probably one Koregoi, based on the corridor height. I was spending a lot of time in ships designed for larger sentients.
“Sorry,” I said. “I forget about childhood. Maybe they forgot where they parked?”
He laughed, but I could tell he was trying pretty hard to get there.
“Colony ship explains the size, though,” Singer said. “If that’s what it is there must be lots of habitat space in there somewhere.” He paused. “Colony ship, or just a colony.”
“Mobile space station?”
He made a shrugging noise. “Why not?”
“How close are the Synarche ships?”
“Another hour or so,” Singer said. “What’s around the next bend?”
“That’s the attitude that got sentients to the stars!” Adrenaline kept breaking through my tuning, and it was making me giddy.
I took a few more steps, paying attention to my afthands to fight the vertigo, and found myself in a large space whose entire ceiling glowed with a broad-spectrum light. The walls—and how weird was it to be thinking in terms of ceilings and walls on a starship?—had tiers of transparent, sharply angled receptacles projecting from them. Peering through, I could see what looked like drains, and the ports for a fluid circulation system.
“Looks like it was hydroponics, once upon a time.”
“Or a really big filing system,” Connla said.
“There’s desiccated organic material in here. I’m going with hydroponics.”
“Sure,” Connla said. “Choose the least creative interpretation.”
I ignored him. I walked through the hydroponics room and up the far wall, which became a floor as I stepped on to it. I was pretty sure that would work, because I could see the corridor continuing overhead—or dead ahead, once I’d made the transition. I wanted to find a viewport, for no particular reason except the emotional validation of looking out at space from the inside, and maybe watching the Synarche ships arrive.
The idea made me sad. But it also felt like closure. And I badly needed some of that.
The corridor forked. I took the left, on a whim, because it spiraled perspective-up while the other one bent and arced perspective-down. My afthands hurt like blazes. Back on Singer, in any normal ship, they were a huge advantage. Under these circumstances, not so much. I figured that once the Synarche got here I would just sit down and let them come get me. They could earn their keep by carrying me out.
Yes. A nice comfortable stretcher.
That sounded like just the thing.
? ? ?
Eventually I found the sky.
It was round and vast from where I stood beneath an enormous dome of a viewport. And it wasn’t empty at all, because it was full of the incandescent blaze of the Saga-star and the tiny, sharp-edged shadows of the flitting Core ships like paper cutouts held up on little sticks before an inferno. The Koregoi ship was filtering the brilliance just as Singer did—though probably not the same way Singer did—so I could look up at the stunningness of that vista with my heart in my mouth and just breathe it in for a little while.
It was incredibly glorious, and the ship I was on was the most amazing archeological and engineering discovery of my lifetime, and all I could feel was melancholy. Hugely, quietly, complicatedly sad.
Singer was in the foreground, a larger silhouette than the others. My home for fifteen ans.
I thought, I won’t go back there. It will be easier to say goodbye if I don’t go back.
Somebody else could pack up my things, the few things I had with sentimental value that weren’t recyclables. Did I really care about an old book and a couple of knickknacks?
I would just embark from here, onto one of the Synarche ships. Or maybe they’d want me to join the prize crew on the Koregoi ship, given what covered my body beneath the transparent top layers of my skin. Suddenly, I wanted to strip my suit off and hold my hand up to the sky, to compare the patterns the Koregoi senso had left on my body to the swirling, lensed, impossibly distorted glory of the Core.
I wouldn’t do it, though. Singer would be terribly disappointed in me if I did. And suddenly I could not bear the thought of ever disappointing Singer.
I wasn’t losing anything, I told myself. All those memories were there in my fox, crisp as the dia they were recorded, and unlike meat memories they wouldn’t decay or alter if I pulled them up and reveled in them.
I wouldn’t, though. It wasn’t healthy to live in the past—or worse, to let the past live in your head forever. I’d save that kind of wallowing for special occasions.
Anniversaries. Funerals.
You know.
And it was a lie. I was losing something: I was losing the chance to make new memories, to return to a place of safety. And no matter how philosophical I managed to pretend I was about it, that stuff was gone. I’d gotten invested in a future—despite telling myself after Niyara that I was never going to get invested in a future with anyone or anything again.
We need stability, I guess. Our brains fool us. We can put down roots, even in the hydroponic tanks of a glorified tugboat. We can’t help putting down roots. The best we can do is lie to ourselves about it. I don’t think it’s even a sophipathology, something you can correct for. If anything, not getting attached is the illness of thought that leads to antisocial behavior. It’s just the way things are. Sometimes—usually—navigating life involves navigating pain.
But it’s one thing to know that on an intellectual level, and another to face the reality of how the dream of a future had become a fading projection, like a memory of something that never happened. Had turned out to be a chimera, all along.
I wanted to go home. And home was gone, lost to me. For the third time in my life.
You would think you’d get used to that sort of thing. But all I could manage was to hope that this was the last time.
“Hey,” Singer said. His voice made me jump; it didn’t come through the senso but reverberated in my actual skull, through atmosphere and helmet and atmosphere again. “I got some control of this thing.”
He was talking through some sort of speaker or vibrating membrane, somewhere within the structure of the observation bubble surrounding me.
“How about engines?” I asked. “Life support?”
“Don’t rush me.”
“It came when I called. Are you telling me you can’t do as well as I did?”
“I don’t have aliens in my butt.”
“You don’t have a butt to have aliens in.”
“Well, we’re guaranteed salvage rights now,” Connla interrupted. He was trying to sound cheery and devil-may-care. He managed to sound strained, mostly. “Just in the nick of time, too. Here comes the Core.”